Immortel (ad vitam), Enki Bilal, Francia, 2004, colore, 35 mm, 95′ | 2004 Neon | 2016 Premio Urania
New York. Alla fine del 21° secolo vive Jill Bioskop, donna dai capelli blu che piange lacrime dello stesso colore. It is the end of the 21st century, in New York. Jill Bioskop is a woman with blue hair who cries blue tears. She doesn’t know it yet, but just for her, Horus, hawk-headed god, went through half of the Universe. Cursed, he has only seven days to find Jill and try to seduce her. However, in order to do this, he needs a human body: it will be Alcide Nikopol’s, political prisoner deported thirty years earlier for having discovered the secrets of New York apartheid.
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New York. Alla fine del 21° secolo vive Jill Bioskop, donna dai capelli blu che piange lacrime dello stesso colore. It is the end of the 21st century, in New York. Jill Bioskop is a woman with blue hair who cries blue tears. She doesn’t know it yet, but just for her, Horus, hawk-headed god, went through half of the Universe. Cursed, he has only seven days to find Jill and try to seduce her. However, in order to do this, he needs a human body: it will be Alcide Nikopol’s, political prisoner deported thirty years earlier for having discovered the secrets of New York apartheid.
