{"id":37898,"date":"2021-10-15T21:31:02","date_gmt":"2021-10-15T19:31:02","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/tsff-shorts-2-distopie-viaggi-nel-tempo-spazio-e-tecnologia\/"},"modified":"2022-02-04T10:28:02","modified_gmt":"2022-02-04T09:28:02","slug":"tsff-shorts-2-distopie-viaggi-nel-tempo-spazio-e-tecnologia","status":"publish","type":"post","link":"https:\/\/www.sciencefictionfestival.org\/en\/tsff-shorts-2-distopie-viaggi-nel-tempo-spazio-e-tecnologia\/","title":{"rendered":"TS+FF Shorts #2 \u2013 Dystopias, time travels, space and technology"},"content":{"rendered":"<p>Undeniably, in the past few years we have been living in a downright science fiction film.\u00a0Between viruses, people walled up at home and conspiracy theories, what not so long ago could have worked as the setting of one of our favourite science fiction novels or films has suddenly become our daily life.\u00a0But if reality has turned into science fiction, what can science fiction still tell us?<\/p>\n<p>The Fantastic Shorts selection tries to give an answer to this question, offering multiple points of view that will become, for those who will welcome them, an invitation to imagination, to wonder and to the future.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-37086\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny.jpg\" alt=\"\" width=\"1000\" height=\"560\" srcset=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny.jpg 1000w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-300x168.jpg 300w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-768x430.jpg 768w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-192x108.jpg 192w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-384x216.jpg 384w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-364x205.jpg 364w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-728x409.jpg 728w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-561x314.jpg 561w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-265x148.jpg 265w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-531x297.jpg 531w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-608x340.jpg 608w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-758x424.jpg 758w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-86x48.jpg 86w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-171x96.jpg 171w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-600x336.jpg 600w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p><strong>Space<\/strong><br \/>\nTravelling always begins with a dream, with a project. We always say that it\u2019s not the destination that captures our interest, but the route towards it. Between points A and B anything can happen.<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/ligeia-mare-adam-zimny\/\">Ligeia Mare<\/a> &#8211; European Fantastic Shorts<br \/>\nby Adam Zimny<br \/>\nGermania, 2021, 28&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/sad-the-movie-guilherme-gehr\/\">Sad &#8211; The Movie<\/a> &#8211; European Fantastic Shorts<br \/>\nby Guilherme Gehr<br \/>\nItalia, Brasile, 2020, 9&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/we-choose-to-go-marlene-emilia-rios\/\">We Choose to Go<\/a> &#8211; European Fantastic Shorts (Melies)<br \/>\nby Marlene Emilia Rios<br \/>\nGB, 2020, 15&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/pale-blue-dot-a-tale-of-two-stargazers-matteo-scarfo\/\">Pale Blue Dot: A Tale of Two Stargazers<\/a> &#8211; Spazio Corto<br \/>\nby Matteo Scarf\u00f2<br \/>\nItalia, 2021, 15&#8242;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-37168\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani.jpg\" alt=\"\" width=\"1000\" height=\"560\" srcset=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani.jpg 1000w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-300x168.jpg 300w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-768x430.jpg 768w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-192x108.jpg 192w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-384x216.jpg 384w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-364x205.jpg 364w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-728x409.jpg 728w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-561x314.jpg 561w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-265x148.jpg 265w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-531x297.jpg 531w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-608x340.jpg 608w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-758x424.jpg 758w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-86x48.jpg 86w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-171x96.jpg 171w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-600x336.jpg 600w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><strong>Virus<br \/>\n<\/strong>In the past years we have experienced events at a close angle, events which we had seen in films, or which we had only heard about. Our home, our shelter, at a certain point became our cocoon: for some of us tight and unbearable, for others comfortable and welcoming. Someone tried to break free, someone walled himself up in it. We should have changed, and spread our wings; we told ourselves that everything would have changed, that we would have changed.<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/while-we-stayed-home-gil-vesely\/\">While We Stayed Home<\/a> &#8211; Fantastic Shorts<br \/>\nby Gil Vesely<br \/>\nIsraele, 2020, 5&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/z-caroline-branders\/\">Z<\/a> &#8211; European\u00a0Fantastic Shorts<br \/>\nby Caroline Branders<br \/>\nBelgio, 2021, 19&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/home-sweet-home-andrea-zulliani\/\">Home Sweet Home<\/a> &#8211; Spazio Corto<br \/>\nby Andrea Zuliani<br \/>\nItalia, 2021, 15&#8242;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-37102\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr.jpg\" alt=\"\" width=\"1000\" height=\"560\" srcset=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr.jpg 1000w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-300x168.jpg 300w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-768x430.jpg 768w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-192x108.jpg 192w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-384x216.jpg 384w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-364x205.jpg 364w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-728x409.jpg 728w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-561x314.jpg 561w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-265x148.jpg 265w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-531x297.jpg 531w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-608x340.jpg 608w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-758x424.jpg 758w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-86x48.jpg 86w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-171x96.jpg 171w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-600x336.jpg 600w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p><strong>Weird<\/strong><br \/>\nThere is not a definition for everything. And yet, we stigmatise what we don\u2019t understand as wrong. But it\u2019s a question of context and perception. Still, there are certain things that simply disturb us. Inexplicable circumstances, attitudes, the talking and dreams of children. Hyperbolic imagination attracts and repulses, creating a playground where rules can change from one moment to the other.<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/sweet-mary-where-did-you-go-michael-anthony-kratochvil\/\">Sweet Mary, Where Did You Go?<\/a> &#8211; Fantastic Shorts<br \/>\nby Michael Anthony Kratochvil<br \/>\nAustralia, 2021, 16&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/phlegm-jan-david-bolt\/\">Phlegm<\/a> &#8211; European Fantastic Shorts<br \/>\nby Jan-David Bolt<br \/>\nSvizzera, 2021, 6&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/the-repeater-grete-suarez\/\">The Repeater<\/a> &#8211; European Fantastic Shorts<br \/>\nby Grete Suarez<br \/>\nSpagna, 2021, 18&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/sad-the-movie-guilherme-gehr\/\">Sad &#8211; The Movie<\/a> &#8211; European Fantastic Shorts<br \/>\nby Guilherme Gehr<br \/>\nItalia, Brasile, 2020, 9&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/splendor-maximilien-gomes\/\">Splendor<\/a> &#8211; European Fantastic Shorts<br \/>\nby Maximilien Gomes<br \/>\nFrancia, 2021, 8&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/dharma-bums-francesco-catarinolo\/\">Dharma Bums<\/a> &#8211; Spazio Corto<br \/>\nby Francesco Catarinolo<br \/>\nItalia, 2021, 15&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/dorothy-non-deve-morire-andrea-simonetti\/\">Dorothy Non Deve Morire<\/a> &#8211; Spazio Corto<br \/>\nby Andrea Simonetti<br \/>\nItalia, 2021, 20&#8242;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-37152\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois.jpg\" alt=\"\" width=\"1000\" height=\"560\" srcset=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois.jpg 1000w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-300x168.jpg 300w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-768x430.jpg 768w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-192x108.jpg 192w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-384x216.jpg 384w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-364x205.jpg 364w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-728x409.jpg 728w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-561x314.jpg 561w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-265x148.jpg 265w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-531x297.jpg 531w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-608x340.jpg 608w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-758x424.jpg 758w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-86x48.jpg 86w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-171x96.jpg 171w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-600x336.jpg 600w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p><strong>Dystopias<\/strong><br \/>\nDisturbing dystopias should force us to rethink our everyday life. However, what for some of us is the future, for others is already the present. Remote futures are contemporary threatening presents, in some parts of our planet. And yet we carry on, uninterested, maybe mesmerised by what they used to say to calm us down: it\u2019s just a film\u2026 it\u2019s just a film\u2026 it\u2019s just a film\u2026<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/zealandia-bruno-du-bois\/\">Zealandia<\/a> &#8211; Fantastic Shorts<br \/>\nby Bruno du Bois<br \/>\nNuova Zelanda\/Belgio, 2020, 15&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/electric-bodies-antoine-janot\/\">Electric Bodies<\/a> (Les corpos Electriques) &#8211; European Fantastic Shorts<br \/>\nby Antoine Janot<br \/>\nFrancia, 2020, 15&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/the-exit-plan-angus-wilkinson\/\">The Exit Plan<\/a> &#8211; European Fantastic Shorts<br \/>\nby Angus Wilkinson<br \/>\nGran Bretagna, Australia, 2020, 14&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/pluto-ivan-saudelli\/\">Pluto<\/a> &#8211; European Fantastic Shorts<br \/>\nby Ivan Saudelli<br \/>\nItalia, 2021, 15&#8242;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-37141\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok.jpg\" alt=\"\" width=\"1000\" height=\"560\" srcset=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok.jpg 1000w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-300x168.jpg 300w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-768x430.jpg 768w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-192x108.jpg 192w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-384x216.jpg 384w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-364x205.jpg 364w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-728x409.jpg 728w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-561x314.jpg 561w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-265x148.jpg 265w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-531x297.jpg 531w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-608x340.jpg 608w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-758x424.jpg 758w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-86x48.jpg 86w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-171x96.jpg 171w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-600x336.jpg 600w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p><strong>Technology<br \/>\n<\/strong>Technology should help us live a better life, but all too often we become our gadgets\u2019 slaves. A quiet revolution of the machines, that silently affects our reactions and relations. And hiding in the creases of time and memories becomes easier than facing our everyday failures. The latest innovations on the market have given life to a new form of obsolescence: ours.<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/toto-marco-baldonado\/\">Toto<\/a> &#8211; Fantastic Shorts<br \/>\nby Marco Baldonado<br \/>\nCanada, 2020, 13&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/aria-christopher-poole\/\">Aria<\/a> &#8211; European Fantastic Shorts<br \/>\nby Christopher Poole<br \/>\nGran Bretagna, 2021, 13&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/ligeia-mare-adam-zimny\/\">Ligeia Mare<\/a> &#8211; European Fantastic Shorts<br \/>\nby Adam Zimny<br \/>\nGermania, 2021, 28&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/naik-mauro-russo\/\">Naik<\/a> &#8211; Spazio Corto<br \/>\nby Mauro Russo<br \/>\nItalia, 2021, 20&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/tobia-emanuele-sana\/\">TOB.IA<\/a> &#8211; Spazio Corto<br \/>\nby Sana Emanuele<br \/>\nItalia, 2020, 15&#8242;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-37098\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez.jpg\" alt=\"\" width=\"1000\" height=\"560\" srcset=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez.jpg 1000w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-300x168.jpg 300w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-768x430.jpg 768w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-192x108.jpg 192w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-384x216.jpg 384w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-364x205.jpg 364w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-728x409.jpg 728w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-561x314.jpg 561w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-265x148.jpg 265w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-531x297.jpg 531w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-608x340.jpg 608w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-758x424.jpg 758w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-86x48.jpg 86w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-171x96.jpg 171w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-600x336.jpg 600w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p><strong>Time travels<br \/>\n<\/strong><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/a-man-falling-teho-teardo-orazio-guarino\/\">A Man Falling<\/a> &#8211; Spazio Corto<br \/>\nby Teho Teardo, Orazio Guarino<br \/>\nItalia, 2021, 10&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/sweet-mary-where-did-you-go-michael-anthony-kratochvil\/\">Sweet Mary, Where Did You Go?<\/a> &#8211; Fantastic Shorts<br \/>\nby Michael Anthony Kratochvil<br \/>\nAustralia, 2021, 16&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/film\/the-repeater-grete-suarez\/\">The Repeater<\/a> &#8211; European Fantastic Shorts<br \/>\nby Grete Suarez<br \/>\nSpagna, 2021, 18&#8242;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Fantastic Shorts selection offers multiple points of view that will become, for those who will welcome them, an invitation to imagination, to wonder and to the future. <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.sciencefictionfestival.org\/en\/tsff-shorts-2-distopie-viaggi-nel-tempo-spazio-e-tecnologia\/\">More<\/a><\/p>\n","protected":false},"author":2,"featured_media":37157,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"categories":[363],"tags":[],"adace-sponsor":[],"class_list":{"0":"post-37898","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-2021-en"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>TS+FF Shorts #2 \u2013 Dystopias, time travels, space and technology - Trieste Science+Fiction Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sciencefictionfestival.org\/en\/tsff-shorts-2-distopie-viaggi-nel-tempo-spazio-e-tecnologia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TS+FF Shorts #2 \u2013 Dystopias, time travels, space and technology - Trieste Science+Fiction Festival\" \/>\n<meta property=\"og:description\" content=\"The Fantastic Shorts selection offers multiple points of view that will become, for those who will welcome them, an invitation to imagination, to wonder and to the future. 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