{"id":37496,"date":"2021-10-15T21:31:02","date_gmt":"2021-10-15T19:31:02","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/?p=37496"},"modified":"2021-10-21T17:23:35","modified_gmt":"2021-10-21T15:23:35","slug":"tsff-shorts-2-distopie-viaggi-nel-tempo-spazio-e-tecnologia","status":"publish","type":"post","link":"https:\/\/www.sciencefictionfestival.org\/en\/tsff-shorts-2-distopie-viaggi-nel-tempo-spazio-e-tecnologia\/","title":{"rendered":"TS+FF Shorts #2 \u2013 Distopie, viaggi nel tempo, spazio e tecnologia"},"content":{"rendered":"<p>\u00c8 innegabile che negli ultimi anni abbiamo vissuto praticamente in un film di Fantascienza.\u00a0Tra virus, persone barricate in casa e complottismi quello che fino a qualche tempo fa poteva essere uno scenario possibile solo nei film e nei racconti del nostro genere preferito si \u00e8 trasformato nella nostra quotidianit\u00e0.\u00a0Ma se la realt\u00e0 si \u00e8 fatta fantascienza, cosa pu\u00f2 raccontare ancora la fantascienza?<\/p>\n<p>La selezione dei Fantastic Shorts prova a rispondere a questa domanda, regalandoci una moltitudine di sguardi che diventano, per chi sar\u00e0 capace di accoglierli, un invito all\u2019immaginazione, alla meraviglia e al futuro.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-37086\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny.jpg\" alt=\"\" width=\"1000\" height=\"560\" srcset=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny.jpg 1000w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-300x168.jpg 300w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-768x430.jpg 768w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-192x108.jpg 192w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-384x216.jpg 384w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-364x205.jpg 364w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-728x409.jpg 728w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-561x314.jpg 561w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-265x148.jpg 265w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-531x297.jpg 531w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-608x340.jpg 608w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-758x424.jpg 758w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-86x48.jpg 86w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-171x96.jpg 171w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/ligeia-mare-adam-zimny-600x336.jpg 600w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p><strong>Spazio<\/strong><br \/>\nIl viaggio inizia sempre con un sogno, con un progetto. Si dice sempre che non \u00e8 la meta a catalizzare l&#8217;interesse, quanto il percorso compiuto per raggiungere l&#8217;obiettivo che ci si \u00e8 prefissati. Tra A e B pu\u00f2 succedere di tutto.<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/ligeia-mare-adam-zimny\/\">Ligeia Mare<\/a> &#8211; European Fantastic Shorts<br \/>\ndi Adam Zimny<br \/>\nGermania, 2021, 28&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/sad-the-movie-guilherme-gehr\/\">Sad &#8211; The Movie<\/a> &#8211; European Fantastic Shorts<br \/>\ndi Guilherme Gehr<br \/>\nItalia, Brasile, 2020, 9&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/we-choose-to-go-marlene-emilia-rios\/\">We Choose to Go<\/a> &#8211; European Fantastic Shorts (Melies)<br \/>\ndi Marlene Emilia Rios<br \/>\nGB, 2020, 15&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/pale-blue-dot-a-tale-of-two-stargazers-matteo-scarfo\/\">Pale Blue Dot: A Tale of Two Stargazers<\/a> &#8211; Spazio Corto<br \/>\ndi Matteo Scarf\u00f2<br \/>\nItalia, 2021, 15&#8242;<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-37168\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani.jpg\" alt=\"\" width=\"1000\" height=\"560\" srcset=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani.jpg 1000w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-300x168.jpg 300w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-768x430.jpg 768w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-192x108.jpg 192w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-384x216.jpg 384w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-364x205.jpg 364w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-728x409.jpg 728w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-561x314.jpg 561w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-265x148.jpg 265w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-531x297.jpg 531w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-608x340.jpg 608w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-758x424.jpg 758w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-86x48.jpg 86w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-171x96.jpg 171w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/home-sweet-home-andrea-zulliani-600x336.jpg 600w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><strong>Virus<br \/>\n<\/strong>Negli ultimi anni abbiamo sperimentato pi\u00f9 da vicino eventi di cui avevamo solo sentito parlare o che vedevamo nei film. La nostra abitazione, il nostro rifugio, era anche il nostro bozzolo: per alcuni stretto ed insopportabile, per altri confortevole ed accogliente. C&#8217;\u00e8 chi ha cercato di evadere e chi ci si barricava. Saremmo dovuti cambiare e dispiegare le ali; ci dicevamo che sarebbe cambiato tutto, che saremmo cambiati noi.<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/while-we-stayed-home-gil-vesely\/\">While We Stayed Home<\/a> &#8211; Fantastic Shorts<br \/>\ndi Gil Vesely<br \/>\nIsraele, 2020, 5&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/z-caroline-branders\/\">Z<\/a> &#8211; European\u00a0Fantastic Shorts<br \/>\ndi Caroline Branders<br \/>\nBelgio, 2021, 19&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/home-sweet-home-andrea-zulliani\/\">Home Sweet Home<\/a> &#8211; Spazio Corto<br \/>\ndi Adam Selo<br \/>\nItalia, 2021, 15&#8242;<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-37102\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr.jpg\" alt=\"\" width=\"1000\" height=\"560\" srcset=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr.jpg 1000w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-300x168.jpg 300w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-768x430.jpg 768w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-192x108.jpg 192w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-384x216.jpg 384w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-364x205.jpg 364w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-728x409.jpg 728w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-561x314.jpg 561w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-265x148.jpg 265w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-531x297.jpg 531w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-608x340.jpg 608w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-758x424.jpg 758w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-86x48.jpg 86w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-171x96.jpg 171w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/sad-the-movie-guilherme-gehr-600x336.jpg 600w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p><strong>Weird<\/strong><br \/>\nNon tutto \u00e8 definibile. Eppure quello che non capiamo lo bolliamo come sbagliato. Ma \u00e8 una questione di contesto e di sensibilit\u00e0. Eppure alcune cose semplicemente ci mettono a disagio. Fatti inspiegabili, atteggiamenti, i discorsi e i sogni dei bambini. La fantasia iperbolica attrae e respinge, creando un terreno di gioco dove le regole possono cambiare da un momento all&#8217;altro.<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/sweet-mary-where-did-you-go-michael-anthony-kratochvil\/\">Sweet Mary, Where Did You Go?<\/a> &#8211; Fantastic Shorts<br \/>\ndi Michael Anthony Kratochvil<br \/>\nAustralia, 2021, 16&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/phlegm-jan-david-bolt\/\">Phlegm<\/a> &#8211; European Fantastic Shorts<br \/>\ndi Jan-David Bolt<br \/>\nSvizzera, 2021, 6&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/the-repeater-grete-suarez\/\">The Repeater<\/a> &#8211; European Fantastic Shorts<br \/>\ndi Grete Suarez<br \/>\nSpagna, 2021, 18&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/sad-the-movie-guilherme-gehr\/\">Sad &#8211; The Movie<\/a> &#8211; European Fantastic Shorts<br \/>\ndi Guilherme Gehr<br \/>\nItalia, Brasile, 2020, 9&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/splendor-maximilien-gomes\/\">Splendor<\/a> &#8211; European Fantastic Shorts<br \/>\ndi Maximilien Gomes<br \/>\nFrancia, 2021, 8&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/dharma-bums-francesco-catarinolo\/\">Dharma Bums<\/a> &#8211; Spazio Corto<br \/>\ndi Francesco Catarinolo<br \/>\nItalia, 2021, 15&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/dorothy-non-deve-morire-andrea-simonetti\/\">Dorothy Non Deve Morire<\/a> &#8211; Spazio Corto<br \/>\ndi Andrea Simonetti<br \/>\nItalia, 2021, 20&#8242;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-37152\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois.jpg\" alt=\"\" width=\"1000\" height=\"560\" srcset=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois.jpg 1000w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-300x168.jpg 300w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-768x430.jpg 768w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-192x108.jpg 192w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-384x216.jpg 384w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-364x205.jpg 364w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-728x409.jpg 728w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-561x314.jpg 561w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-265x148.jpg 265w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-531x297.jpg 531w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-608x340.jpg 608w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-758x424.jpg 758w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-86x48.jpg 86w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-171x96.jpg 171w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/zealandia-bruno-du-bois-600x336.jpg 600w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p><strong>Distopie<\/strong><br \/>\nDistopie inquietanti dovrebbero spingerci a ripensare alla nostra quotidianit\u00e0. Eppure quello che per alcuni \u00e8 futuro, per altri \u00e8 gi\u00e0 presente. Futuri remoti sono presenti attualissimi e minacciosi in alcune zone del pianeta. Eppure continuiamo a disinteressarci, forse ipnotizzati da quelo che ci dicevamo per tranquillizzarci: \u00e8 solo un film&#8230; \u00e8 solo un film&#8230; \u00e8 solo un film&#8230;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/zealandia-bruno-du-bois\/\">Zealandia<\/a> &#8211; Fantastic Shorts<br \/>\ndi Bruno du Bois<br \/>\nNuova Zelanda\/Belgio, 2020, 15&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/electric-bodies-antoine-janot\/\">Electric Bodies<\/a> (Les corpos Electriques) &#8211; European Fantastic Shorts<br \/>\ndi Antoine Janot<br \/>\nFrancia, 2020, 15&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/the-exit-plan-angus-wilkinson\/\">The Exit Plan<\/a> &#8211; European Fantastic Shorts<br \/>\ndi Angus Wilkinson<br \/>\nGran Bretagna, Australia, 2020, 14&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/pluto-ivan-saudelli\/\">Pluto<\/a> &#8211; European Fantastic Shorts<br \/>\ndi Ivan Saudelli<br \/>\nItalia, 2021, 15&#8242;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-37141\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok.jpg\" alt=\"\" width=\"1000\" height=\"560\" srcset=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok.jpg 1000w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-300x168.jpg 300w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-768x430.jpg 768w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-192x108.jpg 192w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-384x216.jpg 384w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-364x205.jpg 364w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-728x409.jpg 728w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-561x314.jpg 561w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-265x148.jpg 265w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-531x297.jpg 531w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-608x340.jpg 608w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-758x424.jpg 758w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-86x48.jpg 86w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-171x96.jpg 171w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/toto-marco-baldonado-ok-600x336.jpg 600w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p><strong>Tecnologia<br \/>\n<\/strong>La tecnologia dovrebbe aiutarci a vivere meglio, eppure troppo spesso diventiamo succubi dei nostri gadget. Una rivolta delle macchine silente, che senza far troppo rumore condiziona le nostre reazioni e relazioni. E diventa pi\u00f9 semplice nascondersi tra le pieghe del tempo e dei ricordi che fronteggiare le sconfitte quotidiane. Le ultime novit\u00e0 comparse sul mercato hanno dato froma ad una nuova forma di osolescenza: la nostra.<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/toto-marco-baldonado\/\">Toto<\/a> &#8211; Fantastic Shorts<br \/>\ndi Marco Baldonado<br \/>\nCanada, 2020, 13&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/aria-christopher-poole\/\">Aria<\/a> &#8211; European Fantastic Shorts<br \/>\ndi Christopher Poole<br \/>\nGran Bretagna, 2021, 13&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/ligeia-mare-adam-zimny\/\">Ligeia Mare<\/a> &#8211; European Fantastic Shorts<br \/>\ndi Adam Zimny<br \/>\nGermania, 2021, 28&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/naik-mauro-russo\/\">Naik<\/a> &#8211; Spazio Corto<br \/>\ndi Mauro Russo<br \/>\nItalia, 2021, 20&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/tobia-emanuele-sana\/\">TOB.IA<\/a> &#8211; Spazio Corto<br \/>\ndi Sana Emanuele<br \/>\nItalia, 2020, 15&#8242;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-37098\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez.jpg\" alt=\"\" width=\"1000\" height=\"560\" srcset=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez.jpg 1000w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-300x168.jpg 300w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-768x430.jpg 768w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-192x108.jpg 192w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-384x216.jpg 384w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-364x205.jpg 364w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-728x409.jpg 728w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-561x314.jpg 561w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-265x148.jpg 265w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-531x297.jpg 531w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-608x340.jpg 608w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-758x424.jpg 758w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-86x48.jpg 86w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-171x96.jpg 171w, https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/10\/the-repeater-grete-suarez-600x336.jpg 600w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p><strong>Viaggi nel tempo<br \/>\n<\/strong><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/a-man-falling-teho-teardo-orazio-guarino\/\">A Man Falling<\/a> &#8211; Spazio Corto<br \/>\ndi Teho Teardo, Orazio Guarino<br \/>\nItalia, 2021, 10&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/sweet-mary-where-did-you-go-michael-anthony-kratochvil\/\">Sweet Mary, Where Did You Go?<\/a> &#8211; Fantastic Shorts<br \/>\ndi Michael Anthony Kratochvil<br \/>\nAustralia, 2021, 16&#8242;<\/p>\n<p><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/the-repeater-grete-suarez\/\">The Repeater<\/a> &#8211; European Fantastic Shorts<br \/>\ndi Grete Suarez<br \/>\nSpagna, 2021, 18&#8242;<\/p>","protected":false},"excerpt":{"rendered":"<p>\u00c8 innegabile che negli ultimi anni abbiamo vissuto praticamente in un film di Fantascienza.\u00a0Tra virus, persone barricate in casa e complottismi quello che fino a qualche tempo fa poteva essere uno scenario possibile solo nei film e nei racconti del [&hellip;] <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.sciencefictionfestival.org\/en\/tsff-shorts-2-distopie-viaggi-nel-tempo-spazio-e-tecnologia\/\">More<\/a><\/p>\n","protected":false},"author":2,"featured_media":37156,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[87],"tags":[],"class_list":["post-37496","post","type-post","status-publish","format-standard","has-post-thumbnail","category-87"],"acf":[],"wps_subtitle":"","_links":{"self":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/posts\/37496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/comments?post=37496"}],"version-history":[{"count":0,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/posts\/37496\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media\/37156"}],"wp:attachment":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media?parent=37496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/categories?post=37496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/tags?post=37496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}