{"id":35870,"date":"2016-10-12T17:22:46","date_gmt":"2016-10-12T15:22:46","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/fantastic-shorts\/"},"modified":"2021-08-25T13:01:38","modified_gmt":"2021-08-25T11:01:38","slug":"fantastic-shorts","status":"publish","type":"post","link":"https:\/\/www.sciencefictionfestival.org\/en\/fantastic-shorts\/","title":{"rendered":"Fantastic Shorts"},"content":{"rendered":"<p><strong>M\u00e9li\u00e8s d&#8217;Argent &#8211; Shorts<\/strong><br \/>\nFantasy has been dancing on the screens since the cinema was born. Wearing horrific and astonishing masks, it shows us who we used to be, who we are and who we will be. The past, the present and the future fuse together to create one image on the screen and deceivingly make us think that time will never stop. Monsters and creatures come out of the shadows or the depth of the waters. Someone is looking for a way out, someone is looking for something else, what they want to flee and what they want to find is out of our knowledge.<br \/>\n<!--more--><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/127.0.0.1\/wordpress\/wp-content\/uploads\/2021\/03\/Melies-quadro.jpg\" alt=\"\" \/><\/p>\n<p><strong>Arene<\/strong><br \/>\ndi Henrik Bjerregaard Clausen<br \/>\nDenmark, 2016, 4&#8217;44&#8221;<\/p>\n<p><strong>Blight<\/strong><br \/>\ndi Kate Walshe, Christopher Goodman<br \/>\nGreat Britain, 2015, 6&#8217;6&#8243;<\/p>\n<p><strong>Bruce Gallagan<\/strong><br \/>\ndi Pau Perramon<br \/>\nSpain, 2016, 14\u2019<\/p>\n<p><strong>Getting Fat in a Healthy Way<\/strong><br \/>\ndi Kevork Aslanyan<br \/>\nBulgaria, 2015, 22&#8242;<\/p>\n<p><strong>Hilde<\/strong><br \/>\ndi Felix Knoche<br \/>\nGermany, Austria, 2016, 20&#8242;<\/p>\n<p><strong>I need my space<\/strong><br \/>\ndi Jesse Pohjonen<br \/>\nFinland, 2016, 10&#8217;26&#8221;<\/p>\n<p><strong>Inner Land<\/strong><br \/>\ndi Vivian Papageorgiou<br \/>\nGreece, 2015, 18&#8242;<\/p>\n<p><strong>Into the mud<\/strong><br \/>\ndi Pablo Pastor<br \/>\nSpain, 2015, 10&#8217;15&#8221;<\/p>\n<p><strong>Iron Mountain<\/strong><br \/>\ndi Romain Brachet, S\u00e9bastien Fraud, Alexandre Guerre, Damien Kessler, Maxime Marline<br \/>\nFrance, 2015, 5&#8217;11&#8221;<\/p>\n<p><strong>Mars IV<\/strong><br \/>\ndi Guillaume Rieu<br \/>\nFrance, 2016, 15&#8242;<\/p>\n<p><strong>Mechanical<\/strong><br \/>\ndi Alba Capilla<br \/>\nSpain, 2016, 4&#8217;45&#8221;<\/p>\n<p><strong>The Plan<\/strong><br \/>\ndi Pierre Teuli\u00e8res<br \/>\nFrance, 2016, 12&#8217;59&#8221;<\/p>\n<p><strong>Queen Kong<\/strong><br \/>\ndi Monica Stambrini<br \/>\nItaly, 2016, 19&#8242;<\/p>\n<p><strong>Redux<\/strong><br \/>\ndi Vitaly Verlov<br \/>\nRussia\/USA, 2015, 9&#8242;<\/p>\n<p><strong>Story of R32<\/strong><br \/>\ndi Vladimir Vlasenko<br \/>\nUkraine, 2016, 2&#8217;28&#8221;<\/p>\n<p><strong>Till death do us part<\/strong><br \/>\ndi Alexander Schulz<br \/>\nGermany, 2016, 15&#8242;<\/p>\n<p><strong>Trial<\/strong><br \/>\ndi Keith Lynch, David T. Lynch<br \/>\nGreat Britain, 2015, 15&#8217;56&#8221;<\/p>\n<p><strong>White Collar<\/strong><br \/>\ndi Natalia Lampropoulou<br \/>\nGreece, 2016, 7&#8217;51&#8221;<\/p>\n<p><strong>Spazio Corto<\/strong><br \/>\nThis year we find ourselves in a winding path through horror and science-fiction genres, so different yet so close to each other. The former relates to the past, to the wild, to the instinct, the latter desperately stretches out to the future, focuses on anthropocentrism, and relies on reason. The representation of the future is barely ever beaming or aseptic. Humanity itself becomes a virulent, self-eating unrestrained organism. True horror isn\u2019t hiding underground, but behind smooth and polished surfaces.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/127.0.0.1\/wordpress\/wp-content\/uploads\/2021\/03\/Spazio-Corto-quadro.jpg\" alt=\"\" \/><\/p>\n<p><strong>Asphyxia<\/strong><br \/>\ndi Alessandra Angeli<br \/>\nItalia, 2016, 20&#8242;<\/p>\n<p><strong>Can you decide<\/strong><br \/>\ndi Lu Pulici<br \/>\nItaly, 2016, 4&#8217;55&#8221;<\/p>\n<p><strong>Djinn Tonic<\/strong><br \/>\ndi Domenico Guidetti<br \/>\nItaly, 2016, 14&#8217;20&#8221;<\/p>\n<p><strong>Hitchhike<\/strong><br \/>\ndi Filippo Cinotti<br \/>\nItaly, 2016, 3&#8217;37&#8221;<\/p>\n<p><strong>Hypogeum<\/strong><br \/>\ndi Alessandro Moscatt, Alessandro Della Villa<br \/>\nItaly, 2015, 24&#8242;<\/p>\n<p><strong>Italy 2050<\/strong><br \/>\ndi Pablo Apiolazza<br \/>\nItaly, 2016, 1&#8217;57&#8221; <\/p>\n<p><strong>Nuova era<\/strong><br \/>\ndi Manuele Trullu<br \/>\nItaly, 2015, 25&#8242;<\/p>\n<p><strong>Selezione artificiale<\/strong><br \/>\ndi Fabio Fossati<br \/>\nItaly, 2016, 13&#8242;<\/p>\n<p><strong>US<\/strong><br \/>\ndi Cristiano Gazzarrini<br \/>\nItaly, 2016, 19&#8217;45&#8221;<\/p>\n<p><strong>Who is the superhero?<\/strong><br \/>\ndi Antonino Valvo<br \/>\nItaly, 2016, 2&#8217;30&#8221;<\/p>\n<p><strong>Out of Competition<\/strong><br \/>\nEccentricity is nothing but a matter of balance. What is \u201coutside\u201d does not necessarily coincide with a value judgement. Geography and politics set boundaries referring somehow to the borders of the screen itself. However, thanks to the images we can be here and there at the same time. We travel through time and space. Everywhere. Anywhere.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/127.0.0.1\/wordpress\/wp-content\/uploads\/2021\/03\/00.jpg\" alt=\"\" \/><\/p>\n<p><strong>The Babysitter<\/strong><br \/>\ndi Fr\u00e9d\u00e9ric Chalt\u00e9<br \/>\nCanada, 2016, 17&#8217;50&#8221;<\/p>\n<p><strong>Deux escargots s\u2019en vont<\/strong><br \/>\ndi Jean-Pierre Jeunet, Romain Segaud<br \/>\nFrance, 2016, 3&#8217;14&#8221;<\/p>\n<p><strong>The Disappearance of Willie Bingham<\/strong><br \/>\ndi Matthew Richards<br \/>\nAustralia, 2015, 12&#8217;44&#8221;<\/p>\n<p><strong>Dawn of the Deaf<\/strong><br \/>\ndi Rob Savage<br \/>\nGreat Britain, 2016, 12&#8242;<\/p>\n<p><strong>Eigengrau<\/strong><br \/>\ndi Tomer Yaacoby<br \/>\nIsrael, 2015, 11&#8242;<\/p>\n<p><strong>The Garden<\/strong><br \/>\ndi Natalia Iyudin<br \/>\nUSA, 2015, 13&#8217;36&#8221;<\/p>\n<p><strong>Golden Shot<\/strong><br \/>\ndi G\u00d6kalp G\u00d6nen<br \/>\nTurkey, 2015, 8&#8242;<\/p>\n<p><strong>Homunculus<\/strong><br \/>\ndi Exequiel Sambucetti<br \/>\nArgentina, 2015, 15&#8242;<\/p>\n<p><strong>Lunatique<\/strong><br \/>\ndi Gabriel Kalim Mucci<br \/>\nBrasil, 2016, 15&#8242;<\/p>\n<p><strong>Never Tear Us Apart<\/strong><br \/>\ndi Sid Zanforlin<br \/>\nCanada, 2015, 7&#8242;<\/p>\n<p><strong>No compassion no mercy<\/strong><br \/>\ndi Juanan J. Arasa<br \/>\nCanada, 2016, 16&#8242;<\/p>\n<p><strong>Quenottes<\/strong><br \/>\ndi Pascal Thiebaux, Gil Pinheiro<br \/>\nFrance\/Luxemburg, 2016, 13&#8242;<\/p>\n<p><strong>Reset<\/strong><br \/>\ndi Jeremy Lutter<br \/>\nCanada, 2015, 15&#8217;30&#8221;<\/p>\n<p><strong>Saint Frankenstein<\/strong><br \/>\ndi Scooter McCrae<br \/>\nUSA, 2015, 15&#8242;<\/p>\n<p><strong>Sector D<\/strong><br \/>\ndi Eldar Shibanov<br \/>\nKazachistan, 2015, 19&#8217;29&#8221;<\/p>\n<p><strong>The Tunnel<\/strong><br \/>\ndi Andr\u00e9 \u00d8vredal<br \/>\nNorway, 2016, 15&#8242;<\/p>\n<p><strong>When Susurrus Stirs<\/strong><br \/>\ndi Anthony Cousins<br \/>\nUSA, 2015, 11&#8242;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>M\u00e9li\u00e8s d&#8217;Argent &#8211; Shorts Fantasy has been dancing on the screens since the cinema was born. Wearing horrific and astonishing masks, it shows us who we used to be, who we are and who we will be. The past, the [&hellip;] <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.sciencefictionfestival.org\/en\/fantastic-shorts\/\">More<\/a><\/p>\n","protected":false},"author":1,"featured_media":39081,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"categories":[342],"tags":[],"adace-sponsor":[],"class_list":{"0":"post-35870","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-2016-en"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Trieste Science+Fiction Festival - Fantastic Shorts<\/title>\n<meta name=\"description\" content=\"Il fantastico danza sugli schermi fin dalle origini del cinema. 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