{"id":23646,"date":"2020-10-07T20:01:36","date_gmt":"2020-10-07T20:01:36","guid":{"rendered":"http:\/\/127.0.0.1\/wordpress\/2021\/03\/29\/tsff-shorts-1-dystopia\/"},"modified":"2021-04-26T11:22:41","modified_gmt":"2021-04-26T09:22:41","slug":"tsff-shorts-1-dystopia","status":"publish","type":"post","link":"https:\/\/www.sciencefictionfestival.org\/en\/tsff-shorts-1-dystopia\/","title":{"rendered":"TS+FF Shorts #1 – Dystopia"},"content":{"rendered":"

Nowadays, describing the future can be a hard task. Technological acceleration has forced on us a speed of updating of the imaginary and an aesthetic and also ontological obsolescence which are difficult to keep up with.<\/p>\n

There is only one point on which everybody has agreed since the Seventies: the dystopian vision of future society. Oppressive, consumerist and impersonal, a place where relationships between individuals are confused and dematerialised; where feelings are rare products and the Other, albeit synthetic, seems to prove himself more empathic and forward-looking of any other representative of the old human race.<\/p>\n

Le abiuratrici\u00a0<\/a>\/ Antonio De Palo \/ Spazio Corto
\nL\u2019elemosina <\/a> \/ Gianni De Blasi \/ Spazio Corto
\nGuinea Pig <\/a> \/ Giulia Grandinetti, Andrea Benjamin Manenti \/ Spazio Corto
\nConsume<\/a> \/ Bruno Gradaschi \/ Fantastic Shorts
\nHuman Trash<\/a> \/ Aitor Almuedo Esteban \/ M\u00e9li\u00e8s d\u2019argent
\nImago<\/a> \/ Remy Blaser \/ M\u00e9li\u00e8s d\u2019argent
\nN\u00e9o K\u00f3smo – Nuovo Mondo<\/a> \/ Adelmo Togliani \/ M\u00e9li\u00e8s d\u2019argent
\nThe Recycling Man<\/a> \/ Carlo Ballauri \/ M\u00e9li\u00e8s d\u2019argent
\nCycle 2217<\/a> \/ Evgeny Kalachikhin, Ruben Dauenhauer \/ M\u00e9li\u00e8s d\u2019argent
\nKrim<\/a> \/ Manuel H\u00fcttner \/ M\u00e9li\u00e8s d\u2019argent
\nRoutine: the Prohibition<\/a> \/ Sam Orti \/ M\u00e9li\u00e8s d\u2019argent
\nThe Purple Iris<\/a> \/ Arif Khan \/ Fantastic Shorts<\/p>\n","protected":false},"excerpt":{"rendered":"

Nowadays, describing the future can be a hard task. Technological acceleration has forced on us a speed of updating of the imaginary and an aesthetic and also ontological obsolescence which are difficult to keep up with. 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