{"id":53176,"date":"2014-08-04T12:05:55","date_gmt":"2014-08-04T10:05:55","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/past-editions\/fiff-1972\/"},"modified":"2014-08-04T12:05:55","modified_gmt":"2014-08-04T10:05:55","slug":"fiff-1972","status":"publish","type":"page","link":"https:\/\/www.sciencefictionfestival.org\/en\/past-editions\/fiff-1972\/","title":{"rendered":"Festival Internazionale del Film di Fantascienza 1972"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;45834&#8243; img_size=&#8221;full&#8221; el_id=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_row_inner][vc_column_inner][vc_column_text]<\/p>\n<h3>8\u201415 Luglio 1972<\/h3>\n<p>[\/vc_column_text][vc_separator][vc_column_text el_id=&#8221;&#8221;]<strong>Astronavi e altre diavolerie<\/strong><br \/>\nLa \u201ccorsa silenziosa\u201d del veicolo spaziale \u201cValley Forge\u201d percorre il film vincitore Silent Running di Douglas Trumbull (premio Oscar per gli effetti speciali con 2001: Odissea nello spazio). Strabilianti trucchi ottici e ottime scenografie supportano un tema attuale incentrato sul rapporto dell\u2019uomo (il botanico protagonista) con la natura (le foreste da salvare), con le macchine (i robot che programma) e con se stesso.<br \/>\nParte da M\u00e9li\u00e8s (Le 400 farse del Diavolo, 1905) la mefistofelica retrospettiva Il diavolo e i suoi accoliti: maghi e stregoni.<\/p>\n<hr \/>\n<p><strong>Spaceships and other gadgets<\/strong><br \/>\nThe \u201csilent run\u201d of the \u201cValley Forge\u201d spacecraft follows the winning film Silent Running by Douglas Trumbull (Oscar winner for special effects with 2001: A Space Odyssey). Amazing optical tricks and excellent sets support a current theme centered on the relationship between man (the botanist protagonist) with nature (the forests to be saved), with machines (the robots he programs) and with himself.<br \/>\nThe Mephistophelian retrospective The Devil and his acolytes: wizards and sorcerers starts from M\u00e9li\u00e8s (The 400 Farces of the Devil, 1905).[\/vc_column_text][vc_separator][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_column_text]giuria \/ jury<\/p>\n<p><strong>John Brunner<br \/>\nLuigi Chiarini<br \/>\nGordon Hitchens<br \/>\nAdo Kyrou<br \/>\nKurt Steiner<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text el_id=&#8221;&#8221;]eventi \/ events<\/p>\n<p><strong>Arte e Fantascienza<\/strong><br \/>\nMostra d\u2019arte contemporanea_Contemporary art exhibition<br \/>\n<strong>Amedeo De Lord Rinaldi<\/strong><br \/>\nMostra personale_Solo exhibition<br \/>\n<strong>Euricon I. Congresso europeo di fantascienza<\/strong><br \/>\nEuropean Congress on Science-Fiction<br \/>\n<strong>Il diavolo e i suoi accoliti: maghi e stregoni<\/strong><br \/>\nRetrospettiva_Retrospective[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1676891548145{margin-top: 20px !important;}&#8221;][vc_column][vc_separator color=&#8221;black&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1680690289902{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221;][vc_column_text]<\/p>\n<h5 style=\"text-align: center;\"><em>Asteroide d\u2019oro<\/em><br \/>\n<strong>Silent Running<\/strong><br \/>\nDouglas Trumbull<\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1629202314924{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221;][vc_column_text]<\/p>\n<h5 style=\"text-align: center;\"><em>Asteroide d\u2019argento Miglior attore<br \/>\n<\/em><strong>Mitia Nicolaiev<\/strong><br \/>\nin Shang s kryshi<\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1629202323527{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221;][vc_column_text]<\/p>\n<h5 style=\"text-align: center;\"><em>Asteroide d\u2019argento Miglior attrice<br \/>\n<\/em><strong>Dominique Erlanger<\/strong><br \/>\nin La seuil du vide<\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1629202331948{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221;][vc_column_text]<\/p>\n<h5 style=\"text-align: center;\"><em>Premio speciale della giuria<br \/>\n<\/em><strong>Beware! The Blob<\/strong><br \/>\nLarry Hagman<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1680690289902{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221;][vc_column_text]<\/p>\n<h5 style=\"text-align: center;\"><em>Premio speciale della giuria<\/em><br \/>\n<strong>D\u00edvka na kosteti<\/strong><br \/>\nV\u00e1clav Vorl\u00edcek<\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1629202314924{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221;][vc_column_text]<\/p>\n<h5 style=\"text-align: center;\"><em>Premio speciale della giuria<br \/>\n<\/em><strong>Ecce homo<\/strong><br \/>\nGarnier, Jutrisa, Marks<\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1629202323527{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221;][vc_column_text]<\/p>\n<h5 style=\"text-align: center;\"><em>Sigillo d\u2019oro<br \/>\n<\/em><strong>Het laatste oordeel<\/strong><br \/>\nGuido Henderickx<\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1705401072871{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221;][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221; css=&#8221;.vc_custom_1679050887891{margin-top: 20px !important;}&#8221;][vc_column][vc_separator color=&#8221;black&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h3>Gallery<\/h3>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_images_carousel images=&#8221;43676,43674,43668,43666,43670,43672,43664,43662&#8243; img_size=&#8221;full&#8221; speed=&#8221;2000&#8243; slides_per_view=&#8221;3&#8243; autoplay=&#8221;yes&#8221; wrap=&#8221;yes&#8221;][vc_column_text]<\/p>\n<h5 style=\"text-align: right;\"><a href=\"https:\/\/www.flickr.com\/photos\/143378787@N05\/albums\/72157711961761983\">vai alla gallery completa_<\/a><\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1680002006820{margin-top: 10px !important;}&#8221;][vc_column][vc_row_inner][vc_column_inner][vc_separator color=&#8221;black&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h4><a href=\"#feature\">Feature Film<\/a><\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h4><a href=\"#shorts\">Fantastic Shorts<\/a><\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h4><a href=\"#retro\">Retrospettiva<\/a><\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h4><a href=\"#scienza\">Scientifici<\/a><\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator color=&#8221;black&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h3><a name=\"feature\"><\/a>Feature Film<\/h3>\n<p>[\/vc_column_text][vc_column_text el_id=&#8221;&#8221;]<\/p>\n<h5><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/au-service-du-diable\/\"><strong>Au service du diable<\/strong><\/a><br \/>\n[La terrificante notte del demonio]<br \/>\n\u2014 Jean Brismee<\/h5>\n<h5><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/beware-the-blob\/\"><strong>Beware! The Blob<\/strong><\/a><br \/>\n\u2014 Larry Hagman<\/h5>\n<h5><strong>D\u00edvka na kosteti<\/strong><br \/>\n[La ragazza sulla scopa]<br \/>\n\u2014 V\u00e1clav Vorl\u00edcek<\/h5>\n<h5><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/doomwatch-i-mostri-del-2001\/\"><strong>Doomwatch<\/strong><\/a><br \/>\n[Doomwatch &#8211; I mostri del 2001]<br \/>\n\u2014 Peter Sasdy<\/h5>\n<h5><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/distruggete-dc-59-da-base-spaziale-a-hong-kong\/\"><strong>Kyuketsuki Gokemidoro<\/strong><\/a><br \/>\n[\u5438\u8840\u9b3c\u30b4\u30b1\u30df\u30c9\u30ed &#8211; Kyuketsuki Gokemidoro]<br \/>\n\u2014 Hajime Sat\u014d<\/h5>\n<h5><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/il-potere-di-satana\/\"><strong>Necromancy<\/strong><\/a><br \/>\n[Il potere di Satana]<br \/>\n\u2014 Bert I. Gordon<\/h5>\n<h5><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/shag-s-krysi\/\"><strong>Shag s kryshi<\/strong><\/a><br \/>\n[Radomir Vasilevsky]<\/h5>\n<h5><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/le-seuil-du-vide\/\"><strong>Le Seuil du vide<\/strong><\/a><br \/>\n\u2014 Jean-Fran\u00e7ois Davy<\/h5>\n<h5><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/2002-la-seconda-odissea\/\"><strong>Silent Running<\/strong><\/a><br \/>\n[2002: la seconda odissea]<br \/>\n\u2014 Douglas Trumbull<\/h5>\n<h5><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/les-soleils-de-lile-de-paques\/\"><strong>The Suns of Easter Island<\/strong><\/a><br \/>\n[Les soleils de l&#8217;\u00eele de P\u00e2ques]<br \/>\n\u2014 Pierre Kast<\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_basic_grid post_type=&#8221;film&#8221; max_items=&#8221;-1&#8243; gap=&#8221;0&#8243; orderby=&#8221;title&#8221; order=&#8221;ASC&#8221; item=&#8221;43419&#8243; initial_loading_animation=&#8221;none&#8221; grid_id=&#8221;vc_gid:1705490431064-20ea24cb-1437-8&#8243; taxonomies=&#8221;284&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;black&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h3><a name=\"shorts\"><\/a>Shorts<\/h3>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text el_id=&#8221;&#8221;]<\/p>\n<h5><strong>L&#8217;ambasciatore delle stelle<\/strong><br \/>\n\u2014 Hristo Topuzanov<br \/>\nBulgaria, 8&#8242;<\/h5>\n<h5><strong>Evolution<\/strong><br \/>\n\u2014 Michael Mills<br \/>\nCanada, 1971, 10&#8242;<\/h5>\n<h5><strong>Ez\u00fcstmajom<\/strong><br \/>\n\u2014 Ott\u00f3 Foky<br \/>\nHungary, 1971, 10&#8242;<\/h5>\n<h5><strong>Flight<\/strong><br \/>\n\u2014 Robert Dalzell<br \/>\nUSA, 1972<\/h5>\n<h5><strong>Het laatste oordeel<\/strong><br \/>\n\u2014 Guido Henderickx<br \/>\nBelgium, 1971, 28&#8242;<\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h5><strong>Homo augens<\/strong><br \/>\n\u2014 Ante Zaninovic\u0301<br \/>\nYugoslavia, 1971, 8&#8242;<\/h5>\n<h5><strong>Intoarcerea \u00een viitor<\/strong><br \/>\n[Ritorno nel futuro]<br \/>\n\u2014 Manfredo Manfredi,<br \/>\nSabin B\u0103la\u0219a<br \/>\nRomania, 1971<\/h5>\n<h5><strong>J-Walker<\/strong><br \/>\n\u2014 Murray Suid<br \/>\nUSA, 11&#8242;<\/h5>\n<h5><strong>Il muro<\/strong><br \/>\n\u2014 Manfredo Manfredi<br \/>\nItaly, 1970, 12&#8242;<\/h5>\n<h5><strong>Operation X-70<\/strong><br \/>\n\u2014 Raul Servalis<br \/>\nBelgium, 1971, 9&#8242;<\/h5>\n<h5><strong>Paradise Lost<\/strong><br \/>\n\u2014 Evelyn Lambart<br \/>\nCanada, 1970, 3&#8242;<\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text el_id=&#8221;&#8221;]<\/p>\n<h5><strong>Preghiera della notte<\/strong><br \/>\n\u2014 Giannalberto Bendazzi,<br \/>\nGiuseppe Lagan\u00e0<br \/>\nItaly, 7&#8242;<\/h5>\n<h5><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/przekladaniec\/\"><strong>Przek\u0142adaniec<\/strong><\/a><br \/>\n[Guazzabuglio]<br \/>\n\u2014 Andrzej Wajda<br \/>\nPoland, 1968, 35&#8242;<\/h5>\n<h5><strong>Putovanje<\/strong><br \/>\n\u2014 Bogdan Zizic<br \/>\nYugoslavia, 1972, 16&#8242;<\/h5>\n<h5><strong>Le rouge, le rouge, le rouge<\/strong><br \/>\n\u2014 Jean-Jacques Andrien<br \/>\nBelgium, 1972, 11&#8242;<\/h5>\n<h5><strong>Stop 15<\/strong><br \/>\n\u2014 Fran\u00e7ois Bardet<br \/>\nSvizzera, 18&#8242;<\/h5>\n<h5><strong>Synchromy<\/strong><br \/>\n\u2014 Norman McLaren<br \/>\nCanada, 1971, 7&#8242;<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;black&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h3><a name=\"retro\"><\/a>Retrospettiva<\/h3>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h5><strong>Il diavolo e i suoi accoliti:<br \/>\nmaghi e stregoni<\/strong><\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text el_id=&#8221;&#8221;]<\/p>\n<h5><strong><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/the-brotherhood-of-satan\/\">The Brotherhood of Satan<\/a><\/strong><br \/>\n\u2014 Bernard McEveety<br \/>\nUSA, 1971, 92&#8242;<\/h5>\n<h5><strong>La beaute du diable<\/strong><br \/>\n[La bellezza del diavolo]<br \/>\n\u2014 Ren\u00e9 Clair<br \/>\nFrance, Italy, 1950, 96&#8242;<\/h5>\n<h5><strong>Dead of Night<\/strong><br \/>\n[Incubi notturni]<br \/>\n\u2014 Alberto Cavalcanti,<br \/>\nCharles Crichton,<br \/>\nBasil Dearden,<br \/>\nRobert Hamer<br \/>\nUK, 1945, 103&#8242;<\/h5>\n<h5><strong>The Devil-Doll<\/strong><br \/>\n[La bambola del diavolo]<br \/>\n\u2014 Tod Browning<br \/>\nUSA, 1936, 78&#8242;<\/h5>\n<h5><strong>Just Imagine<\/strong><br \/>\n[I prodigi del 2000]<br \/>\n\u2014 David Butler<br \/>\nUSA, 1930, 109&#8242;<\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h5><strong>La Main du diable<\/strong><br \/>\n\u2014 Maurice Tourneur<br \/>\nFrance, 1942, 82&#8242;<\/h5>\n<h5><strong>Les quat&#8217; cents farces du Diable<\/strong><br \/>\n\u2014 Georges M\u00e9li\u00e8s<br \/>\nFrance, 1906, 17&#8242;<\/h5>\n<h5><strong>Seven Footprints to Satan<\/strong><br \/>\n[Sette passi verso Satana]<br \/>\n\u2014 Benjamin Christensen<br \/>\nUSA, 1929, 77&#8242;<\/h5>\n<h5><strong>Les Visiteurs du soir<\/strong><br \/>\n[L&#8217;amore e il diavolo]<br \/>\n\u2014 Marcel Carn\u00e9<br \/>\nFrance, 1942, 118&#8242;<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=&#8221;black&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h3><a name=\"scienza\"><\/a>Documentari Scientifici<\/h3>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h5><strong>Arthur C. Clarke &#8211; A Biography<\/strong><br \/>\n\u2014 Ian McFarlane<br \/>\nUK, 50&#8242;<\/h5>\n<h5><strong>Curious Alice<\/strong><br \/>\n\u2014 Mickey Kilduff<br \/>\nUSA, 1971, 11&#8242;<\/h5>\n<h5><strong>Ecce homo<\/strong><br \/>\n\u2014 Max Massimino Garnier,<br \/>\nVladimir Jutrisa,<br \/>\nAleksandar Marks<br \/>\nItaly, Yugoslavia, 1972, 12&#8242;<\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h5><strong>Look Back to Home<\/strong><br \/>\n\u2014 Harold Lipman<br \/>\nUSA, 10&#8242;<\/h5>\n<h5><strong>Il potere del drago<\/strong><br \/>\n\u2014 Magdalo Mussio<br \/>\nItaly, 1971, 10&#8242;<\/h5>\n<h5><strong>Space in the 70s &#8211; Exploration of the Planets<\/strong><br \/>\n\u2014 Colin Cantwell<br \/>\nUSA, 24&#8242;<\/h5>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<h5><strong>Yanomam\u00f6: A Multidisciplinary Study<\/strong><br \/>\n\u2014 James V. Neel,<br \/>\nTimothy Asch,<br \/>\nNapoleon Chagnon<br \/>\nUSA, 1968, 45&#8242;<\/h5>\n<h5><strong>Windfall from Space<\/strong><br \/>\n\u2014 Frank Kemp<br \/>\nUSA, 25&#8242;<\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column css=&#8221;.vc_custom_1629202815555{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221;][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Festival Internazionale del Film di Fantascienza &#8211; Edizione X <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.sciencefictionfestival.org\/en\/past-editions\/fiff-1972\/\">More<\/a><\/p>\n","protected":false},"author":1,"featured_media":45764,"parent":51773,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"g1-template-page-full.php","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"categories":[631],"tags":[],"class_list":{"0":"post-53176","1":"page","2":"type-page","3":"status-publish","4":"has-post-thumbnail","6":"category-iff-archivi-en"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - 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