{"id":53175,"date":"2014-08-04T12:00:16","date_gmt":"2014-08-04T10:00:16","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/past-editions\/fiff-1971\/"},"modified":"2014-08-04T12:00:16","modified_gmt":"2014-08-04T10:00:16","slug":"fiff-1971","status":"publish","type":"page","link":"https:\/\/www.sciencefictionfestival.org\/en\/past-editions\/fiff-1971\/","title":{"rendered":"Festival Internazionale del Film di Fantascienza 1971"},"content":{"rendered":"

[vc_row][vc_column width=”1\/3″][vc_single_image image=”45837″ img_size=”full” el_id=””][\/vc_column][vc_column width=”2\/3″][vc_row_inner][vc_column_inner][vc_column_text]<\/p>\n

5\u201417 Luglio 1971<\/h3>\n

[\/vc_column_text][vc_separator][vc_column_text el_id=””]Segnali dallo spazio<\/strong>
\nSignale – Ein Weltraumabenteuer, film di Gottfried Kolditz (Germania Est-Polonia; nella foto sopra), ottiene una menzione speciale della Giuria presieduta da Arthur C. Clarke, che decreta vincitore del Festival La morte viene dal passato di Boris Sagal (USA).
\nSul fronte degli eventi collaterali, il 1971 \u00e8 l\u2019anno dell\u2019espressionismo astratto con la personale dello statunitense Robert Rauschenberg.<\/p>\n

\n

Signals from space<\/strong>
\nSignale – Ein Weltraumabenteuer, a film by Gottfried Kolditz (East Germany-Poland; in the photo above), obtains a special mention from the Jury chaired by Arthur C. Clarke, who declares Death Comes from the Past by Boris Sagal (USA) as the winner of the Festival.
\nOn the collateral events front, 1971 was the year of abstract expressionism with the solo exhibition of the American Robert Rauschenberg.[\/vc_column_text][vc_separator][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text el_id=””]giuria \/ jury<\/p>\n

Elio Bartolini
\nArthur C. Clarke
\nLajos Matos
\nLouis Seguin
\nDonald Wollheim<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text el_id=””]eventi \/ events<\/p>\n

Il surrealismo nel cinema<\/strong>
\nRetrospettiva_Retrospective
\nArte e Fantascienza<\/strong>
\nMostra d\u2019arte contemporanea_Contemporary art exhibition
\nRobert Rauschenberg Stoned Moon<\/strong>
\nMostra personale_Solo exhibition
\nSkylab: il futuro dell\u2019uomo nello spazio<\/strong>
\nMostra_Exhibition[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1676891548145{margin-top: 20px !important;}”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1680690289902{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Asteroide d’oro<\/em>
\nLe dernier Homme<\/strong>
\nBoris Segal<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1629202314924{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Asteroide d\u2019argento Miglior attore
\n<\/em>Roberto Antonelli<\/strong>
\nin La ragazza di latta<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1629202323527{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Asteroide d’argento Miglior attrice
\n<\/em>Iva Janzurova<\/strong>
\nin You Are a Widow, Sir<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1629202331948{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Sigillo d\u2019oro
\n<\/em>Ljubitelji cvije\u0107a<\/strong>
\nBorivoj Dovnikovi\u0107 Bordo<\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1705400876623{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1629202314924{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Premi speciali della giuria
\n<\/em>Le temps de mourir<\/strong>
\nAndr\u00e9 Farwagi<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1629202323527{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Premi speciali della giuria
\n<\/em>T\u00e9n\u00e8bres<\/strong>
\nClaude Loubarie<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1705400883791{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1680002006820{margin-top: 10px !important;}”][vc_column][vc_row_inner][vc_column_inner][vc_separator color=”black”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Feature Film<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Fantastic Shorts<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Retrospettiva<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Scientifici<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Feature Film<\/h3>\n

[\/vc_column_text][vc_column_text el_id=””]<\/p>\n

Eika Katappa<\/strong>
\n\u2014 Werner Schroeter<\/h5>\n
El extra\u00f1o caso del doctor Fausto<\/strong><\/a>
\n\u2014 Gonzalo Suarez<\/h5>\n
Gamera VS Jiger<\/strong>
\n[\u30ac\u30e1\u30e9\u5bfe\u5927\u9b54\u7363\u30b8\u30e3\u30a4\u30ac\u30fc – Gamera VS Jiger]
\n\u2014 Noriaki Yuasa<\/h5>\n
Gas-s-s-s<\/strong><\/a>
\n[Gas, fu necessario distruggere il mondo per poterlo salvare]
\n\u2014 Roger Corman<\/h5>\n
Hauser’s Memory<\/strong><\/a>
\n[La morte viene dal passato]
\n\u2014 Boris Sagal<\/h5>\n
The Name of the Game: L.A. 2017<\/strong><\/a>
\n\u2014 Steven Spielberg<\/h5>\n
Night Slaves<\/strong><\/a>
\n[Amore extraterrestre]
\n\u2014 Ted Post<\/h5>\n
La ragazza di latta<\/strong><\/a>
\n\u2014 Marcello Aliprandi<\/h5>\n
Signals: A Space Adventure<\/strong><\/a>
\n[Signale \u2013 Ein Weltraumabenteuer]
\n\u2014 Gottfried Kolditz<\/h5>\n
Le temps de mourir<\/strong><\/a>
\n[L’assassino ha prenotato la tua morte]
\n\u2014 Andr\u00e9 Farwagi<\/h5>\n
You Are a Widow, Sir<\/strong><\/a>
\n[Pane, vy jste vdova!]
\n\u2014 Vaclav Vorlicek<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_basic_grid post_type=”film” max_items=”-1″ gap=”0″ orderby=”title” order=”ASC” item=”43419″ initial_loading_animation=”none” grid_id=”vc_gid:1705491283433-e4ca860b-720b-10″ taxonomies=”283″][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Shorts<\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Children and Cars<\/strong>
\n\u2014 John Halas
\nUK, 1970, 8′<\/h5>\n
Le dernier des darques malok<\/strong>
\n\u2014 Robiolles
\nFrance<\/h5>\n
Fosa com\u00fan<\/strong>
\n\u2014 Rafael Gordon
\nSpaina, 1969, 12′<\/h5>\n
Gloria Mundi<\/strong>
\n\u2014 Gy\u00f6rgy Kov\u00e1sznai
\nAustria, 1969, 90′<\/h5>\n
Images – Frontiers of Photography<\/strong>
\n\u2014 Hugh Raggett
\nUK<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Messiah<\/strong>
\n\u2014 John Rapoport
\nUSA, 18′<\/h5>\n
The Movement Movement<\/strong>
\n\u2014 Bruce Parsons
\nFrance, UK, USA, 1969<\/h5>\n
Na dobranoc<\/strong>
\n\u2014 Janusz Zaorski
\nPoland, 1971, 25′<\/h5>\n
Prometeo XX<\/strong>
\n\u2014 Todor Dinov
\nBulgary<\/h5>\n
Scarabus<\/strong>
\n\u2014 G\u00e9rald Frydman
\nBelgium, 1971, 13′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Studium<\/strong>
\n\u2014 Gujd\u00e1r J\u00f3zsef
\nUngary, 1971, 8′<\/h5>\n
T\u00e9n\u00e8bres<\/strong>
\n\u2014 Claude Loubarie
\nFrance, 1969, 12′<\/h5>\n
The Time of Vampires<\/strong>
\n[Vrijeme vampira]
\nNikola Majdak
\nYugoslavia, 1971, 9′<\/h5>\n
Toilettes pour le bal<\/strong>
\n\u2014 Jean-Marie Deconinck
\nBelgium, 1971, 12′<\/h5>\n
Un briciolo d’eternit\u00e0<\/strong>
\n\u2014 Konstantin Obreshkov
\nBulgary, 8′<\/h5>\n
Vade mecum<\/strong>
\n\u2014 Giorgio “Max” Massimino-Garni\u00e8r,
\nStefan Monteau
\nItaly, Romania, 12′<\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Retrospettiva<\/h3>\n
Il surrealismo nel cinema<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

L’\u00e2ge d’or<\/strong>
\n\u2014 Luis Bu\u00f1uel
\nFrance, 1930, 62′<\/h5>\n
La chute de la maison Usher<\/strong>
\n[La caduta della casa Usher]
\n\u2014 Jean Epstein
\nFrance, 1928, 61′<\/h5>\n
La Coquille et le Clergyman<\/strong>
\n\u2014 Germaine Dulac
\nFrance, 1928, 39′<\/h5>\n
La dolorosa<\/strong>
\n\u2014 Jean Gr\u00e9millon
\nSpain, 1934, 85′<\/h5>\n
Dos Monjes<\/strong>
\n\u2014 Juan Bustillo Oro
\nMexico, 1934, 85′<\/h5>\n
Dreams That Money Can Buy<\/strong>
\n\u2014 Hans Richter
\nUSA, 1947, 99′<\/h5>\n
Dwaj ludzie z szaf\u0105<\/strong>
\n[Due uomini e un armadio]
\n\u2014 Roman Pola\u0144ski
\nPoland, 1958, 15′<\/h5>\n
Emak-Bakia<\/strong>
\n\u2014 Man Ray
\nFrance, 1926, 19′<\/h5>\n
Fait divers<\/strong>
\n\u2014 Claude Autant-Lara
\nFrance, 1924, 20′<\/h5>\n
The Fantastic Night<\/strong>
\n[La nuit fantastique]
\n\u2014 Marcel L’Herbier
\nFrance, 1942, 103′<\/h5>\n
Film<\/strong>
\n\u2014 Alan Schneider
\nUSA, 1965, 24′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Gdy spadaja anioly<\/strong>
\n[La caduta degli angeli]
\n\u2014 Roman Pola\u0144ski
\nPoland, 1959, 22′<\/h5>\n
Giulietta degli spiriti<\/strong>
\n\u2014 Federico Fellini
\nItaly, 1965, 137′<\/h5>\n
L’Ile de P\u00e2ques<\/strong>
\n\u2014 Henri Storck
\nFrance, 1935, 26′<\/h5>\n
Madeleine, mon amour!<\/strong>
\n\u2014 Bogdan Zizic
\nYugoslavia, 1972, 15′<\/h5>\n
The Melomaniac<\/strong>
\n[Le M\u00e9lomane]
\n\u2014 Georges M\u00e9li\u00e8s
\nFrance, 1902, 3′<\/h5>\n
Les myst\u00e8res du ch\u00e2teau du d\u00e9<\/strong>
\n\u2014 Man Ray
\nFrance, 1929, 26′<\/h5>\n
Paul Delvaux ou Les Femmes Defendues<\/strong>
\n\u2014 Henri Storck
\nBelgium, 1970, 18′<\/h5>\n
Le retour \u00e0 la raison<\/strong>
\n\u2014 Man Ray
\nFrance, 1923, 3′<\/h5>\n
Le sang d’un po\u00e8te<\/strong>
\n[Il sangue di un poeta]
\n\u2014 Jean Cocteau
\nFrance, 1929, 50′<\/h5>\n
The Shanghai Gesture<\/strong>
\n[I misteri di Shanghai]
\n\u2014 Josef von Sternberg
\nUSA, 1941, 99′<\/h5>\n
Sim\u00f3n del desierto<\/strong>
\n[Intolleranza: Simon del deserto]
\n\u2014 Luis Bu\u00f1uel
\nMexico, 1966, 45′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Ssaki<\/strong>
\n\u2014 Roman Pola\u0144ski
\nPoland, 1962, 10′<\/h5>\n
Subida al cielo<\/strong>
\n[Salita al cielo]
\n\u2014 Luis Bu\u00f1uel
\nMexico, 1951, 85′<\/h5>\n
Surrealismo<\/strong>
\n\u2014 Guido Guerrasio
\nItaly, 1968, 19′<\/h5>\n
Tha\u00efs<\/strong>
\n\u2014 Anton Giulio Bragaglia,
\nRiccardo Cassano
\nItaly, 1917, 105′<\/h5>\n
The Trip<\/strong>
\n[Il serpente di fuoco]
\n\u2014 Roger Corman
\nUSA, 1967, 85′<\/h5>\n
Un chien andalou<\/strong>
\n[Un cane andaluso]
\n\u2014 Luis Bu\u00f1uel
\nFrance, 1929, 16′<\/h5>\n
Utaz\u00e1s a kopony\u00e1m k\u00f6r\u00fcl<\/strong>
\n[Viaggio intorno al mio cranio]
\n\u2014 R\u00e9v\u00e9sz Gy\u00f6rgy
\nHungary, 1969, 78′<\/h5>\n
Violons d’Ingres<\/strong>
\n\u2014 Jacques B. Brunius,
\nGeorges Labrousse
\nFrance, 1939, 32′<\/h5>\n
Le voyage imaginaire<\/strong>
\n[Il viaggio immaginario]
\n\u2014 Ren\u00e9 Clair
\nFrance, 1925, 80′<\/h5>\n
Voyage surprise<\/strong>
\n\u2014 Pierre Pr\u00e9vert
\nFrance, 1947, 85′<\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Documentari Scientifici<\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Apollo 14 Mission to Fra Mauro<\/strong>
\n\u2014 NASA
\nUSA, 1971, 29′<\/h5>\n
La fantascienza siamo noi<\/strong>
\n\u2014 Corrado Farina
\nItalia, 1970, 13′<\/h5>\n
Un anno in Luna-Ambiente terrestre<\/strong>
\n\u2014 Vernicov
\nURSS<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Man in Space: Second Decade<\/strong>
\n\u2014 NASA
\nUSA, 28′<\/h5>\n
Acceleration of the 70s<\/strong>
\n\u2014 Dick Swenson
\nUSA, 5′<\/h5>\n
I.C. A Shrinking World<\/strong>
\n\u2014 Henry R. Feinberg
\nUSA, 1971, 17′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Energy<\/strong>
\n\u2014 Timothy Huntley
\nUSA, 12′<\/h5>\n
\u041b\u0443\u043d\u043e\u0445\u043e\u0434 – Lunochod<\/strong>
\n\u2014 Kusis
\nURSS<\/h5>\n

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Festival Internazionale del Film di Fantascienza – Edizione IX More<\/a><\/p>\n","protected":false},"author":1,"featured_media":45759,"parent":51773,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"g1-template-page-full.php","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"categories":[631],"tags":[],"class_list":{"0":"post-53175","1":"page","2":"type-page","3":"status-publish","4":"has-post-thumbnail","6":"category-iff-archivi-en"},"yoast_head":"\nFestival Internazionale del Film di Fantascienza 1971 - Trieste Science+Fiction Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sciencefictionfestival.org\/en\/past-editions\/fiff-1971\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festival Internazionale del Film di Fantascienza 1971 - 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