{"id":53171,"date":"2014-08-04T11:26:14","date_gmt":"2014-08-04T09:26:14","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/past-editions\/fiff-1968\/"},"modified":"2014-08-04T11:26:14","modified_gmt":"2014-08-04T09:26:14","slug":"fiff-1968","status":"publish","type":"page","link":"https:\/\/www.sciencefictionfestival.org\/en\/past-editions\/fiff-1968\/","title":{"rendered":"Festival Internazionale del Film di Fantascienza 1968"},"content":{"rendered":"

[vc_row][vc_column width=”1\/3″][vc_single_image image=”45847″ img_size=”full” el_id=””][\/vc_column][vc_column width=”2\/3″][vc_row_inner][vc_column_inner][vc_column_text]<\/p>\n

6\u201413 Luglio 1968<\/h3>\n

[\/vc_column_text][vc_separator][vc_column_text el_id=””]La giuria presieduta da Mario Soldati decreta miglior film della sesta edizione l’horror e b-movie britannico The Sorcerers<\/strong> di Michael Reeves, vincitore anche, con Catherine Lacey, del premio per la migliore attrice e con Boris Karloff della Medaglia d\u2019Oro del Festival.
\nLa retrospettiva Alcuni archetipi del film di Fantascienza<\/strong> (1920-1950) \u00e8 curata dalla Direzione del Festival con la collaborazione del National Film Archive di Londra e con il contributo della Universal Pictures, della Cineteca Nazionale di Roma e della RKO.<\/p>\n

\n

The jury chaired by Mario Soldati decrees the best film of the sixth edition to be the British horror and b-movie The Sorcerers by Michael Reeves, also winner, with Catherine Lacey, of the award for best actress and with Boris Karloff of the Festival’s Gold Medal.
\nThe retrospective Some archetypes of science fiction films (1920-1950) is curated by the Festival Management in collaboration with the National Film Archive in London and with the contribution of Universal Pictures, the Cineteca Nazionale di Roma and RKO.[\/vc_column_text][vc_separator][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]giuria \/ jury<\/p>\n

Walter Ernsting
\nJohn Reilly
\nMario Soldati
\nPhillip Strick<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text el_id=””]eventi \/ events<\/p>\n

Alcuni archetipi del cinema di fantascienza 1920-1950<\/strong>
\nRetrospettiva_Retrospective
\nMostra del ferro<\/strong>
\nMostra_Exhibition
\nFanzine di fantascienza<\/strong>
\nMostra_Exhibition[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1676891548145{margin-top: 20px !important;}”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/5″ css=”.vc_custom_1680687844179{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Asteroide d’oro<\/em>
\nThe Sorcerers<\/strong>
\nMichael Reeves<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/5″ css=”.vc_custom_1629202314924{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Sigillo d\u2019oro citt\u00e0 di Trieste<\/em>
\nSinteticna Komika<\/strong>
\nCrt Skodlar<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/5″ css=”.vc_custom_1629202323527{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Asteroide d\u2019argento miglior attore
\n<\/em>Eto Svat\u2019 Robert<\/strong>
\nOleg Strizhenov<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/5″ css=”.vc_custom_1629202331948{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Astronave d\u2019argento miglior attrice
\n<\/em>The Sorceres<\/strong>
\nCatherine Lacey<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/5″ css=”.vc_custom_1680687854730{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Medaglia d’oro giornalisti
\n<\/em>Ne jouez pas avec les Martiens<\/strong>
\nHenri Lano\u00eb<\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1680002006820{margin-top: 10px !important;}”][vc_column][vc_row_inner][vc_column_inner][vc_separator color=”black”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Feature Film<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Fantastic Shorts<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Retrospettiva<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Scientifici<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Feature Film<\/h3>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Battle Beyond the Stars<\/strong>
\n\u2014 Jimmy T. Murakami<\/h5>\n
Der Golem, wie er in die Welt kam<\/strong>
\n[Il Golem – Come venne al mondo]
\n\u2014 Paul Wegener + Carl Boese<\/h5>\n
Ebirah, Horror of the Deep<\/a><\/strong>
\n[Il ritorno di Godzilla \/ \u30b4\u30b8\u30e9\u30fb\u30a8\u30d3\u30e9\u30fb\u30e2\u30b9\u30e9 \u5357\u6d77\u306e\u5927\u6c7a\u95d8 – Gojira, Ebira, Mosura Nankai no Daikett\u014d]
\n\u2014 Jun Fukuda<\/h5>\n
Evo Zvali Robert<\/strong>
\n\u2014 Ilya Olshvanger<\/h5>\n
I, Justice<\/a>
\n[J\u00e1, spravedlnost]<\/strong>
\n\u2014 Zbyn\u011bk Brynych<\/h5>\n
Ne jouez pas avec les Martiens<\/a><\/strong>
\n\u2014 Henri Lano\u00eb<\/h5>\n
Out of the Unknown: Beach Head<\/strong>
\n\u2014 James Cellan Jones<\/h5>\n
Raumpatrouille Orion: Planet au\u00dfer Kurs<\/strong>
\n[Raumpatrouille \u2013 Die phantastischen Abenteuer des Raumschiffes Orion]
\n\u2014 Michael Braun<\/h5>\n
Raumpatrouille: Die raumfalle<\/strong>
\n\u2014 Theo Mezger<\/h5>\n
Andromeda Nebula<\/a><\/strong>
\n[\u0422\u0443\u043c\u0430\u043d\u043d\u043e\u0441\u0442\u044c \u0410\u043d\u0434\u0440\u043e\u043c\u0435\u0434\u044b]
\n\u2014 Evgenij \u0160erstobitov<\/h5>\n
The Sorcerers<\/a><\/strong>
\n[Il killer di Satana]
\n\u2014 Michael Reeves<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_basic_grid post_type=”film” max_items=”-1″ gap=”0″ orderby=”title” order=”ASC” item=”43419″ initial_loading_animation=”none” grid_id=”vc_gid:1705493758804-73b4aced-9241-5″ taxonomies=”280″][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Shorts<\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

A Stain on his Conscience<\/strong>
\n[Mrlja na savesti]
\n\u2014 Du\u0161an Vukoti\u0107
\nJugoslavia 1967, 17′<\/h5>\n
Bizonyos j\u00f3slatok<\/strong>
\n\u2014 Foky Ott\u00f3
\nUngheria 1967, 12′<\/h5>\n
Die Maschine<\/strong>
\n\u2014 Wolfgang Urchs
\nGermany 1966, 11′<\/h5>\n
El bombardon<\/strong>
\n\u2014 Boris Szulzinger
\nBelgium 1967<\/h5>\n
La cage de Pierre<\/strong>
\n\u2014 Pierre Zucca
\nFrance 1968, 10′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Neverwhere<\/strong>
\n\u2014 Mike Waddell + Richard Corben
\nUSA 1968, 15′<\/h5>\n
Poem field. [No. 1], A study in computer graphics<\/strong>
\n\u2014 Stan Van Der Beek
\nUSA 1967, 5′<\/h5>\n
Sinteticna Komika<\/strong>
\n\u2014 Crt Skodlar
\nJugoslavia 1968<\/h5>\n
Sizif<\/strong>
\n\u2014 Aleksandar Marks + Vladimir Jutrisa
\nJugoslavia 1967<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Surrealismo<\/strong>
\n\u2014 Guido Guerrasio
\nItaly 20′<\/h5>\n
The Vampire<\/strong>
\n[Upi\u00f3r]
\n\u2014 Stanis\u0142aw Lenartowicz
\nPoland 1967, 27′<\/h5>\n
Tolerance<\/strong>
\n[Tolerancija]
\n\u2014 Branko Ranitovi\u0107 + Zlatko Grgi\u0107
\nJugoslavia, Switzerland 1967, 9′<\/h5>\n
Viola<\/strong>
\n\u2014 Dunstan Pereira
\nUK 1967, 26′<\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Retrospettiva<\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Abel Gance, hier et demain<\/strong>
\n\u2014 Nelly Kaplan
\nFrance 1963, 28′<\/h5>\n
Alraune La mandragora<\/strong>
\n\u2014 Henrik Galeen
\nGermany 1928, 98′<\/h5>\n
Cat People<\/strong>
\n[Il bacio della pantera]
\n\u2014 Jacques Tourneur
\nUSA 1942, 73′<\/h5>\n
Rhinoceros<\/strong>
\n[Die Nash\u00f6rner]
\n\u2014 Jan Lenica
\nGermany 1964, 10′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

The Black Cat<\/strong>
\n\u2014 Edgar G. Ulmer
\nUSA 1934, 65′<\/h5>\n
The Bride of Frankenstein<\/strong>
\n[La moglie di Frankenstein]
\n\u2014 James Whale
\nUK 1935, 75′<\/h5>\n
The Phantom of the Opera<\/strong>
\n[Il fantasma dell’opera]
\n\u2014 Rupert Julian
\nUSA 1925, 92′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

The Pit<\/strong>
\n\u2014 Edward Abraham
\nUK 1962, 26′<\/h5>\n
The Queen of Spades<\/strong>
\n[La donna di picche]
\n\u2014 Thorold Dickinson
\nUK 1949, 96′<\/h5>\n
Ultra, je t’aime<\/strong>
\n[Ultra, ti amo]
\n\u2014 Patrick Ledoux
\nBelgium 1968, 28′<\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Documentari Scientifici<\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

People and Particles<\/strong>
\n\u2014 Michael Butler
\nUSA 1967<\/h5>\n
Computer Sketch Pad<\/strong>
\n\u2014 Russell Morash
\nUSA 1960<\/h5>\n
Men Who Teach, Professor Jerald Holton<\/strong>
\n\u2014 Dan Klugherz
\nUSA 1960<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Hey, What About Us?<\/strong>
\n\u2014 Joyce Chopra
\nUSA, 58′<\/h5>\n
The Story of Kidney Transplants<\/strong>
\n\u2014 Russell Morash
\nUSA 1960, 29′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Judy Lehtimen, New York City 1967<\/strong>
\n\u2014 Fred Wellington
\nUSA 1967, 28′<\/h5>\n
Legacy of Gemini<\/strong>
\n\u2014 NASA
\nUSA 1968, 28′<\/h5>\n

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Festival Internazionale del Film di Fantascienza – Edizione VI More<\/a><\/p>\n","protected":false},"author":1,"featured_media":45851,"parent":51773,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"g1-template-page-full.php","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"categories":[631],"tags":[],"class_list":{"0":"post-53171","1":"page","2":"type-page","3":"status-publish","4":"has-post-thumbnail","6":"category-iff-archivi-en"},"yoast_head":"\nFestival Internazionale del Film di Fantascienza 1968 - Trieste Science+Fiction Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sciencefictionfestival.org\/en\/past-editions\/fiff-1968\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festival Internazionale del Film di Fantascienza 1968 - 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