{"id":53162,"date":"2025-04-03T10:29:37","date_gmt":"2025-04-03T08:29:37","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/past-editions\/festival-internazionale-del-film-di-fantascienza-1973\/"},"modified":"2025-04-03T10:35:48","modified_gmt":"2025-04-03T08:35:48","slug":"festival-internazionale-del-film-di-fantascienza-1973","status":"publish","type":"page","link":"https:\/\/www.sciencefictionfestival.org\/en\/past-editions\/festival-internazionale-del-film-di-fantascienza-1973\/","title":{"rendered":"Festival Internazionale del Film di Fantascienza 1973"},"content":{"rendered":"

[vc_row][vc_column width=”1\/3″][vc_single_image image=”38806″ img_size=”full”][\/vc_column][vc_column width=”2\/3″][vc_row_inner][vc_column_inner][vc_column_text]<\/p>\n

7\u201414 Luglio 1973<\/h3>\n

[\/vc_column_text][vc_separator][vc_column_text el_id=””]Un amore pi\u00f9 strano di King Kong<\/strong>
\nSchlock di John Landis, acuta satira in salsa fantascientifica della societ\u00e0 dei consumi, vince l\u2019Asteroide d\u2019oro per l\u2019edizione 1973. Ironizzando sui film di orrore e fantascienza, Landis evoca King Kong facendo innamorare lo scimmiesco Schlock della giovane Mindy.<\/p>\n

\n

A love stranger than King Kong<\/strong>
\nSchlock by John Landis, a sharp science fiction satire of consumer society, wins the Golden Asteroid for the 1973 edition. Ironically on horror and science fiction films, Landis evokes King Kong by making young Mindy fall in love with the simian Schlock.[\/vc_column_text][vc_separator][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text el_id=””]giuria \/ jury<\/p>\n

Luciano Budigna
\nNelly Kaplan
\nLajos Matos
\nDavid Overbay
\nRicardo Salvat<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text el_id=””]eventi \/ events<\/p>\n

Fantapittura. Enrico Prampolini<\/strong>
\nMostra personale_Solo exhibition
\nOmaggio a Nicolaus Copernicus per i 500 anni dalla sua nascita<\/strong>
\nTavola rotonda_Roundtable
\nDal Golem al Robot<\/strong>
\nRetrospettiva_Retrospective[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1676891548145{margin-top: 20px !important;}”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1680690289902{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Asteroide d’oro<\/em>
\nSchlock<\/strong>
\nJohn Landis<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1629202314924{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Asteroide d\u2019argento Miglior attore
\n<\/em>John Steiner<\/strong>
\nin Rads 1001<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1629202323527{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Asteroide d\u2019argento Miglior attrice
\n<\/em>Susan Hampshire<\/strong>
\nin Malpertius<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1629202331948{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Sigillo d\u2019oro
\n<\/em>The Corridor<\/strong>
\nJerzy Kopczynski<\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″ css=”.vc_custom_1705402965840{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1629202314924{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Premi speciali della giuria
\n<\/em>La plan\u00e8te sauvage<\/strong>
\nRen\u00e9 Laloux<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1629202323527{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Premi speciali della giuria
\n<\/em>Tup Tup<\/strong>
\nNedeljko Dragi\u0107<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″ css=”.vc_custom_1705402959435{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1680002006820{margin-top: 10px !important;}”][vc_column][vc_row_inner][vc_column_inner][vc_separator color=”black”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Feature Film<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Fantastic Shorts<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Retrospettiva<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Scientifici<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Feature Film<\/h3>\n

[\/vc_column_text][vc_column_text el_id=””]<\/p>\n

Akce Bororo<\/strong><\/a>
\n\u2014 Otakar Fuka<\/h5>\n
Baba Yaga<\/strong><\/a>
\n\u2014 Corrado Farina<\/h5>\n
Battle for the Planet of the Apes<\/strong><\/a>
\n[Anno 2670 – Ultimo atto]
\n\u2014 J. Lee Thompson<\/h5>\n
Eolomea<\/strong><\/a>
\n[Eolomea – La sirena delle stelle]
\n\u2014 Herrmann Zschoche<\/h5>\n
The Land of Sannikov<\/strong><\/a>
\n[3\u0435\u043c\u043b\u044f \u0421\u0430\u043d\u043d\u0438\u043a\u043e\u0432\u0430 – Zemlya Sannikova]
\n\u2014 Albert Mkrtchyan,
\nLeonid Popov<\/h5>\n
Leonardo’s Diary<\/strong>
\n\u2014 Jan \u0160vankmajer<\/h5>\n
Malpertuis<\/strong><\/a>
\n\u2014 Harry K\u00fcmel<\/h5>\n
La plan\u00e8te sauvage<\/strong><\/a>
\n[Il pianeta selvaggio]
\n\u2014 Ren\u00e9 Laloux<\/h5>\n
Schlock<\/strong><\/a>
\n[Slok]
\n\u2014 John Landis<\/h5>\n
Soylent Green<\/strong><\/a>
\n[2022: i sopravvissuti]
\n\u2014 Richard Fleischer<\/h5>\n
Third After the Sun<\/strong><\/a>
\n[Treta sled slantzeto]
\n\u2014 Gueorgui Stoyanov<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_basic_grid post_type=”film” max_items=”-1″ gap=”0″ orderby=”title” order=”ASC” item=”43419″ initial_loading_animation=”none” grid_id=”vc_gid:1705490000024-a67d0321-da0e-4″ taxonomies=”264″][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Shorts<\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Astralis<\/strong>
\n\u2014 Rudolf Boro\u0161ak
\nYugoslavia, 1972, 2′<\/h5>\n
Blue Planet<\/strong>
\n\u2014 Clayton Edwards
\nUSA, 28′<\/h5>\n
The Corridor<\/strong>
\n[Korytarz]
\n\u2014 Jerzy Kopczynski
\nPoland, 1972, 5′<\/h5>\n
Fantapittura di Prampolini<\/strong>
\n\u2014 Carlo Di Carlo
\nItaly, 1972, 12′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Incontro con le stazioni Marte 1 e Marte 2<\/strong>
\n\u2014 Rodicev
\nURSS, 20′<\/h5>\n
Isabelle et la locomotive \u00e0 vapeur<\/strong>
\n\u2014 Patrick Ledoux
\nBelgium, 1973, 25′<\/h5>\n
Rads 1001<\/strong>
\n\u2014 Giorgio Treves
\nItaly, 1973, 25′<\/h5>\n
Le registrement<\/strong>
\n\u2014 Pierre Chabartier
\nFrance, 37′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Sz\u00e9p \u00faj vil\u00e1g<\/strong>
\n\u2014 G\u00e1bor Vit\u00e9z
\nHungary, 11′<\/h5>\n
Tup Tup<\/strong>
\n\u2014 Nedeljko Dragi\u0107
\nYugoslavia, Italy, 1972, 10′<\/h5>\n
Umanomeno<\/strong>
\n\u2014 Magdalo Mussio
\nItaly, 1972, 10′<\/h5>\n
Utopia<\/strong>
\n[Utopija]
\n\u2014 Boris Kolar
\nYugoslavia, 1973, 9′<\/h5>\n
Vigilando reprimere<\/strong>
\n\u2014 Alberto Grifi
\nItaly, 1972, 25′<\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Retrospettiva<\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Dal Golem al Robot<\/strong><\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Brazil 2000<\/strong>
\n\u2014 Walter Lima
\nBrazil<\/h5>\n
Das Rote Gestein<\/strong>
\n\u2014 Renout, Mayer
\nGermany<\/h5>\n
Der Golem<\/strong>
\n\u2014 Paul Wegener,
\nHenrik Galeen
\nGermany, 1914, 60′<\/h5>\n
The Great Gabbo<\/strong>
\n\u2014 James Cruze
\nUSA, 1929, 94′<\/h5>\n
Die puppe<\/strong>
\n\u2014 Ernst Lubitsch
\nGermany, 1919, 64′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Homunculus 4 Teil Die Rache des Homunculus<\/strong>
\n\u2014 Otto Rippert
\nGermany, 1917, 68′<\/h5>\n
Metropolis<\/strong>
\n\u2014 Fritz Lang
\nGermany, 1927, 87’\/153′<\/h5>\n
La poup\u00e9e<\/strong>
\n\u2014 Louis Lumi\u00e8re
\nFrance, 1897, 3′<\/h5>\n
The visitors<\/strong>
\n\u2014 Richard Harkness
\nUSA<\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Documentari Scientifici<\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Le alghe blu attaccano il pianeta<\/strong>
\n\u2014 A. Socolov
\nURSS, 25′<\/h5>\n
Apollo 17<\/strong>
\n\u2014 NASA
\nUSA, 1972, 20′<\/h5>\n
C-10-3 Ricordo 2001: A space Odyssey<\/strong>
\n\u2014 I. L. Galeta
\nYugoslavia, 10′<\/h5>\n
Computer Color Generations<\/strong>
\n\u2014 Mario S. Balibrera
\nUSA, 23′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Deeply Submerged Terraces<\/strong>
\n\u2014 Max Hutto
\nUSA, 18′<\/h5>\n
Deep Ops<\/strong>
\n\u2014 Max Hutto
\nUSA, 14′<\/h5>\n
Flare<\/strong>
\n\u2014 MCAA
\nUSA, 14′<\/h5>\n
Macka<\/strong>
\n\u2014 Zlatko Bourek
\nYugoslavia, 1971, 10′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

New View of Space<\/strong>
\n\u2014 Clayton Edwards
\nUSA, 28′<\/h5>\n
La scoperta del professor Alexandrov<\/strong>
\n\u2014 V. Zucherman
\nURSS, 10′<\/h5>\n
Verso la stella mattutina<\/strong>
\n\u2014 D. Codicev
\nURSS, 25′<\/h5>\n

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Festival Internazionale del Film di Fantascienza – Edizione XI More<\/a><\/p>\n","protected":false},"author":1,"featured_media":45767,"parent":51773,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"g1-template-page-full.php","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"categories":[631],"tags":[],"class_list":{"0":"post-53162","1":"page","2":"type-page","3":"status-publish","4":"has-post-thumbnail","6":"category-iff-archivi-en"},"yoast_head":"\nFestival Internazionale del Film di Fantascienza 1973 - Trieste Science+Fiction Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sciencefictionfestival.org\/en\/past-editions\/festival-internazionale-del-film-di-fantascienza-1973\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festival Internazionale del Film di Fantascienza 1973 - 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