{"id":53159,"date":"2025-04-03T10:28:41","date_gmt":"2025-04-03T08:28:41","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/past-editions\/festival-internazionale-del-film-di-fantascienza-1976\/"},"modified":"2025-04-03T10:28:41","modified_gmt":"2025-04-03T08:28:41","slug":"festival-internazionale-del-film-di-fantascienza-1976","status":"publish","type":"page","link":"https:\/\/www.sciencefictionfestival.org\/en\/past-editions\/festival-internazionale-del-film-di-fantascienza-1976\/","title":{"rendered":"Festival Internazionale del Film di Fantascienza 1976"},"content":{"rendered":"

[vc_row][vc_column width=”1\/3″][vc_single_image image=”45824″ img_size=”full” el_id=””][\/vc_column][vc_column width=”2\/3″][vc_row_inner][vc_column_inner][vc_column_text]<\/p>\n

10 \u2013 17 Luglio \/ July 1976<\/h3>\n

[\/vc_column_text][vc_separator][vc_column_text el_id=””]Italia fantastica<\/strong>
\nParallelamente al Festival, al Cinema Excelsior, trenta film illustrano il periodo d\u2019oro del cinema fantastico italiano (1957-1966). Curata da Giuseppe Lippi e Lorenzo Codelli, in collaborazione con La Cappella Underground, la rassegna Fant\u2019Italia si apre con Tot\u00f2 all\u2019inferno di Camillo Mastrocinque e I Vampiri di Riccardo Freda per chiudersi con lo stesso Mastrocinque (Un angelo per Satana) e Mario Bava (Operazione paura).
\nAl Cortile delle Milizie si esplorano in una mostra i Pulp americani di fantascienza. I Pulp, riviste con particolare formato e carta economica ottenuta dalla pasta di legno (la \u201cpolpa\u201d dell\u2019albero, da cui il nome), uscirono tra la fine degli anni Venti e la met\u00e0 degli anni Cinquanta. Un\u2019antologica di aeropittura futurista, dedicata a Tullio Crali, anima il Costanzi.<\/p>\n

\n

Fantastic Italy<\/strong>
\nDuring the Festival, thirty films present the golden age of Italian science-fiction film industry (1957-1966) at Cinema Excelsior. Fant\u2019Italia, an exposition curated by Giuseppe Lippi and Lorenzo Codelli, in cooperation with La Cappella Underground, starts with \u201cToto in Hell\u201d, directed by Camillo Mastrocinque, and \u201cI Vampiri\u201d, directed by Riccardo Freda, and ends with another film of Mastrocinque (\u201cAn Angel for Satan\u201d) and a film of Mario Bava (\u201cKill, Baby, Kill\u201d). An exhibition about the American Pulps takes place in Cortile delle Milizie. The Pulps, magazines with a particular format and cheap paper obtained from pulpwood, were published between the end of the Twenties and the Fifties. An anthology of futurist aeropainting dedicated to Tullio Crali takes place in Palazzo Costanzi.[\/vc_column_text][vc_separator][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]giuria \/ jury<\/p>\n

Guy Baucourt
\nLuis Gasca
\nAttilio Giovannini
\nAlexandr Novogrudski
\nDonald Wohleim<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text el_id=””]eventi \/ events<\/p>\n

Fant\u2019Italia 1957-1966.
\nEmergenza, apoteosi e riflusso del fantastico nel cinema italiano<\/strong>
\nRetrospettiva_Retrospective
\nTullio Crali. Aeropittore futurista<\/strong>
\nMostra antologica_Solo exhibition
\nSei tendenze nel fantastico<\/strong>
\nMostra collettiva_Collective exhibition
\nLe riviste di fantascienza<\/strong>
\nMostra_Exhibition
\n1\u00b0 Mercato Internazionale del film fantastico e di fantascienza<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1676891548145{margin-top: 20px !important;}”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″ css=”.vc_custom_1680690289902{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Asteroide d’oro<\/em>
\nHu-Man<\/strong>
\nJerome Laperrousaz<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1629202314924{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Asteroide d\u2019argento Miglior attore
\n<\/em>Terence Stamp<\/strong>
\nin Hu-Man<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1629202323527{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Asteroide d’argento Miglior attrice
\n<\/em>Halina Gryglaszewski<\/strong>
\nin Bielszy ni\u017c \u015bnieg<\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″ css=”.vc_custom_1680690289902{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Sigillo d\u2019oro Citt\u00e0 di Trieste<\/em>
\nAwaria<\/strong>
\nKrzysztof Kiwerski<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1629202314924{background-image: url(https:\/\/sfft.noiza-assets.eu\/sfft\/2021\/08\/TSFF-laurel-web-ok.png) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column_text]<\/p>\n

Premio speciale della giuria
\n<\/em>Teens in the Universe<\/strong>
\nRi\u010dard Viktorov<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1705409725425{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1680002006820{margin-top: 10px !important;}”][vc_column][vc_row_inner][vc_column_inner][vc_separator color=”black”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Feature Film<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Fantastic Shorts<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Retrospettiva<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text]<\/p>\n

Scientifici<\/a><\/h4>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Feature Film<\/h3>\n

[\/vc_column_text][vc_column_text el_id=””]<\/p>\n

Apr\u00e8s le vent des sables<\/strong><\/a>
\n\u2014 Claude Zaccai<\/h5>\n
Darling, Are We a Good Match…?<\/strong>
\n[Hod\u00edme se k sobe, mil\u00e1cku…?]
\n\u2014 Petr Schulhoff<\/h5>\n
Death Race 2000<\/strong><\/a>
\n[Anno 2000 – La corsa della morte]
\n\u2014 Paul Bertel<\/h5>\n
Face of Darkness<\/strong>
\n\u2014 Ian F.H. Lloyd<\/h5>\n
How to Drown Dr. Mracek, the Lawyer<\/strong><\/a>
\n[Come annegare il dottor Mracek o la fine dei tritoni in Boemia – Jak utopit doktora Mr\u00e1cka]
\n\u2014 Vaclav Vorlicek<\/h5>\n
Hu-Man<\/strong><\/a>
\n\u2014 Jerome Laperrousaz<\/h5>\n
Hyperion<\/strong><\/a>
\n\u2014 Mircea Veroiu<\/h5>\n
Inside<\/strong>
\n\u2014 Renato Silvi<\/h5>\n
Ivan Vasilievich Changes Professions<\/strong><\/a>
\n[Ivan Vasil’evi\u010d menjaet professiju]
\n\u2014 Leonid Gajdaj<\/h5>\n
Memoria<\/strong><\/a>
\n[Las bestias no se miran al espejo]
\n\u2014 Francisco Maci\u00e1n<\/h5>\n
The Mutations<\/strong><\/a>
\n\u2014 Jack Cardiff<\/h5>\n
Otroki vo vselennoy<\/strong><\/a>
\n[Ragazzi nello spazio – Teens in Universe]
\n\u2014 Richard Viktorov<\/h5>\n
Prima che il sole tramonti<\/strong><\/a>
\n\u2014 Carlo Ausino<\/h5>\n
Rape<\/strong><\/a>
\n[Desnuda Inquietud]
\n\u2014 Miguel Iglesias<\/h5>\n
Un sussurro nel buio<\/strong><\/a>
\n\u2014 Marcello Aliprandi<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_basic_grid post_type=”film” max_items=”-1″ gap=”0″ orderby=”title” order=”ASC” item=”43419″ initial_loading_animation=”none” grid_id=”vc_gid:1705488909028-70e0204e-2ea4-6″ taxonomies=”287″][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Shorts<\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

A to A<\/strong>
\n\u2014 John R. Gibbons
\nUK, 6′<\/h5>\n
Aphasia<\/strong>
\n\u2014 Paul Gray
\nUSA, 1973, 32′<\/h5>\n
Awaria<\/strong>
\n\u2014 Krzysztof Kiwerski
\nPoland, 1976, 11′<\/h5>\n
Bielszy ni\u017c \u015bnieg<\/strong>
\n\u2014 Wojciech Marczewski
\nPoland, 1975, 32′<\/h5>\n
Der Vampir, der aus der U-Bahn kam<\/strong>
\n\u2014 Karin Brandauer
\nAustria, 1974, 27′<\/h5>\n
La disparition<\/strong>
\n\u2014 Francis de Laveleye
\nBelgium, 12′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Do kraja i natrag<\/strong>
\n\u2014 Mladen Juran
\nYugoslavia, 1976, 15′<\/h5>\n
The Dot<\/strong>
\n\u2014 Eli Noyes
\nUSA, 5′<\/h5>\n
Drift<\/strong>
\n\u2014 Michel Rodde
\nSwitzerland, 1975, 10′<\/h5>\n
Gradski Perivoj<\/strong>
\n\u2014 Marijan Hodak
\nYugoslavia, 1976, 12′<\/h5>\n
Meduza sajana<\/strong>
\n\u2014 Slavko Almazan
\nYugoslavia, 1976, 17′<\/h5>\n
The Palace of the Gods<\/strong>
\n\u2014 Robert Bergman
\nCanada, 15′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Pickled Love<\/strong>
\n\u2014 Tholen Tom
\nThe Netherlands, 32′<\/h5>\n
Il policoncettuale<\/strong>
\n\u2014 Amedeo Ascione
\nItaly, 12′<\/h5>\n
The Star Maidens: Escape to Paradise<\/strong>
\n\u2014 James Gatward
\nUK, 1976, 25′<\/h5>\n
Ugr\u00e1s a lehetetlenbe<\/strong>
\n\u2014 S\u00e1ndor Reisenb\u00fcchler
\nHungary, 13′<\/h5>\n
V odin prekrasny vecer 2000 goda<\/strong>
\n\u2014 Vitaly Aximov
\nURSS, 20′<\/h5>\n
Venus on the Half-Shell<\/strong>
\n[L’Escargot de V\u00e9nus]
\n\u2014 Walerian Borowczyk
\nFrance, 1975, 5′<\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Retrospettiva<\/h3>\n
Fant\u2019Italia 1957-1966.<\/strong>
\nEmergenza, apoteosi
\n<\/strong>e riflusso del fantastico<\/strong>
\nnel cinema italiano<\/strong><\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

002 Operazione Luna<\/strong>
\n\u2014 Lucio Fulci
\nItaly, 1965, 90′<\/h5>\n
5 tombe per un medium<\/strong>
\n\u2014 Massimo Pupillo
\nItaly, 1965, 87′<\/h5>\n
L’amante del vampiro<\/strong>
\n\u2014 Renato Polselli
\nItaly, 1960, 83′<\/h5>\n
Amanti d’oltretomba<\/strong>
\n\u2014 Mario Caiano
\nItaly, 1965, 104′<\/h5>\n
Un angelo per Satana<\/strong>
\n\u2014 Camillo Mastrocinque
\nItaly, 1966, 90′<\/h5>\n
Arrivano i titani<\/strong>
\n\u2014 Duccio Tessari
\nItaly, 1962, 120′<\/h5>\n
La cripta e l’incubo<\/strong>
\n\u2014 Camillo Mastrocinque
\nItaly, 1964, 84′<\/h5>\n
La decima vittima<\/strong>
\n\u2014 Elio Petri
\nItaly, 1965, 93′<\/h5>\n
La maschera del demonio<\/strong>
\n\u2014 Mario Bava
\nItaly, 1960, 87′<\/h5>\n
Ercole al centro della Terra<\/strong>
\n\u2014 Mario Bava
\nItaly, 1961, 91′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Ercole alla conquista di Atlantide<\/strong>
\n\u2014 Vittorio Cottafavi
\nItaly, 1961, 101′<\/h5>\n
Maciste all’inferno<\/strong>
\n\u2014 Riccardo Freda
\nItaly, 1962, 91′<\/h5>\n
Maciste contro Ercole nella valle dei guai<\/strong>
\n\u2014 Mario Mattioli
\nItaly, 1961, 93′<\/h5>\n
Maciste e la regina di Samar<\/strong>
\n\u2014 Giacomo Gentilomo
\nItaly, 1964, 92′<\/h5>\n
Il mulino delle donne di pietra<\/strong>
\n\u2014 Mario Bava
\nItaly, 1960, 96′<\/h5>\n
Omicron<\/strong>
\n\u2014 Ugo Gregoretti
\nItaly, 1963, 102′<\/h5>\n
Operazione paura<\/strong>
\n\u2014 Mario Bava
\nItaly, 1966, 85′<\/h5>\n
L’orribile segreto del dr. Hichcock<\/strong>
\n\u2014 Riccardo Freda
\nItaly, 1962, 88′<\/h5>\n
Planet of the Vampires<\/strong>
\n[Terrore nello spazio]
\n\u2014 Mario Bava
\nItaly, 1965, 88′<\/h5>\n
Seddok – L’erede di Satana<\/strong>
\n\u2014 Anton Giulio Majano
\nItaly, 1960, 105′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Space Men<\/strong>
\n\u2014 Antonio Margheriti
\nItaly, 1960, 98′<\/h5>\n
Tempi duri per i vampiri<\/strong>
\n\u2014 Steno
\nItaly, 1959, 90′<\/h5>\n
I tre volti della paura<\/strong>
\n\u2014 Mario Bava
\nItaly, 1963, 92′<\/h5>\n
Tot\u00f2 all’inferno<\/strong>
\n\u2014 Camillo Mastrocinque
\nItaly, 1955, 90′<\/h5>\n
L’ultimo uomo della Terra<\/strong>
\n\u2014 Ubaldo Ragona
\nItaly, 1964, 86′<\/h5>\n
I vampiri<\/strong>
\n\u2014 Riccardo Freda
\nItaly, 1957, 90′<\/h5>\n
La vendetta di Ercole<\/strong>
\n\u2014 Vittorio Cottafavi
\nItaly, 1960, 95′<\/h5>\n
La vergine di Norimberga<\/strong>
\n\u2014 Antonio Margheriti
\nItaly, 1963, 85′<\/h5>\n
War of the Planets<\/strong>
\n[I diafanoidi vengono da Marte]
\n\u2014 Antonio Margheriti
\nItaly, 1966, 99′<\/h5>\n
Wild, Wild Planet<\/strong>
\n[I criminali della galassia]
\n\u2014 Antonio Margheriti
\nItaly, 1966, 94′<\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

<\/a>Documentari Scientifici<\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Age of Man in Space<\/strong>
\n\u2014 Fred Steil,
\nDavid Stone
\nUSA, 1975, 28′<\/h5>\n
Adventures in Research<\/strong>
\n\u2014 Rick Miller, NASA
\nUSA, 1976<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

A New Look at Leeuwenhoek’s Wee Beasties<\/strong>
\n\u2014 Bruce J. Russel
\nUSA, 1975, 12′<\/h5>\n
New View of Mars<\/strong>
\n\u2014 Lester Novros
\nUSA, 10′<\/h5>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Planet Ocean<\/strong>
\n\u2014 George V. Casey
\nUSA, 15′<\/h5>\n
Pollution<\/strong>
\n\u2014 Hal Weiner
\nUSA, 13′<\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column css=”.vc_custom_1629202815555{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Festival Internazionale del Film di Fantascienza – Edizione XIV More<\/a><\/p>\n","protected":false},"author":1,"featured_media":45779,"parent":51773,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"g1-template-page-full.php","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"categories":[631],"tags":[],"class_list":{"0":"post-53159","1":"page","2":"type-page","3":"status-publish","4":"has-post-thumbnail","6":"category-iff-archivi-en"},"yoast_head":"\nFestival Internazionale del Film di Fantascienza 1976 - Trieste Science+Fiction Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sciencefictionfestival.org\/archivio\/fiff-1976\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festival Internazionale del Film di Fantascienza 1976 - 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