{"id":42668,"date":"2022-10-30T12:30:58","date_gmt":"2022-10-30T11:30:58","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/?page_id=42668"},"modified":"2022-10-30T17:23:03","modified_gmt":"2022-10-30T16:23:03","slug":"oblivion-song","status":"publish","type":"page","link":"https:\/\/www.sciencefictionfestival.org\/en\/archivio__trashed\/tsff-2022\/oblivion-song\/","title":{"rendered":"Oblivion Song"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2022\/10\/Oblivion-song-ehibition.jpg\" width=\"662\" height=\"372\" style=\"width:100%;aspect-ratio:662\/372;object-fit:cover\" alt=\"\" title=\"Oblivion-song-ehibition\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h3 style=\"text-align: center;\">Oblivion Song<\/h3>\n<div><\/div>\n<div style=\"text-align: center;\">dal 1 ottobre 2022<br \/>\nMediateca La Cappella Underground<br \/>\nVia Roma 19, Triestemostra realizzata in collaborazione con saldaPress<\/div>\n<div style=\"text-align: center;\"><em>ingresso gratuito<\/em><\/div>\n<div><\/div>\n<hr \/>\n<p>&nbsp;<\/p>\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Dal cataclismatico evento di Philadelphia, il mondo \u00e8 andato avanti e Oblivion, oltre che un pericolo, si \u00e8 rivelata anche una grande fonte di risorse per gli esseri umani. Ora \u00e8 possibile andare e venire da Oblivion, ma lo scontro finale con la fazione pi\u00f9 feroce della civilt\u00e0 aliena che popola quella dimensione \u00e8 alle porte. Nathan Cole, suo fratello Ed e i loro alleati dovranno tentare un piano disperato per sconfiggere il nemico, evitando che il mondo venga invaso e il genere umano estirpato per sempre.<\/p>\n<p><b>LORENZO DE FELICI<br \/>\n<\/b><span style=\"font-weight: 400;\">Ha esordito nel mondo del fumetto lavorando come colorista presso <\/span><i><span style=\"font-weight: 400;\">Sergio Bonelli Editore<\/span><\/i><span style=\"font-weight: 400;\">. In seguito, sempre come colorista, ha lavorato per <\/span><i><span style=\"font-weight: 400;\">Walt Disney America<\/span><\/i><span style=\"font-weight: 400;\"> e, per il mercato francese,<\/span><span style=\"font-weight: 400;\">ha disegnato <\/span><i><span style=\"font-weight: 400;\">Drakka<\/span><\/i><span style=\"font-weight: 400;\">, su sceneggiatura di Fr\u00e9d\u00e9ric Brr\u00e9maud. <\/span><i><span style=\"font-weight: 400;\">Oblivion Song<\/span><\/i><span style=\"font-weight: 400;\"> \u00e8 la prima serie statunitense a cui lavora come disegnatore e di cui \u00e8 co-creatore. Sempre per <\/span><i><span style=\"font-weight: 400;\">Skybound<\/span><\/i><span style=\"font-weight: 400;\">, nel 2022 ha creato <\/span><i><span style=\"font-weight: 400;\">Kroma<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>ANNALISA LEONI<br \/>\n<\/b><span style=\"font-weight: 400;\">Dopo aver lavorato come <\/span><i><span style=\"font-weight: 400;\">character designer<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">concept artist<\/span><\/i><span style=\"font-weight: 400;\"> e illustratrice, inizia dal 2010 il suo lavoro come colorista per editori italiani, francesi e americani come <\/span><i><span style=\"font-weight: 400;\">Pixar<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Panini<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Gl\u00e9nat<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Claire de Lune<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Piemme Junior<\/span><\/i><span style=\"font-weight: 400;\"> e <\/span><i><span style=\"font-weight: 400;\">Giochi preziosi<\/span><\/i><span style=\"font-weight: 400;\">. Lavora diversi anni per <\/span><i><span style=\"font-weight: 400;\">Sergio Bonelli Editore<\/span><\/i><span style=\"font-weight: 400;\"> come <\/span><i><span style=\"font-weight: 400;\">lead colorist <\/span><\/i><span style=\"font-weight: 400;\">per le serie: <\/span><i><span style=\"font-weight: 400;\">Orfani, Orfani: Ringo<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Orfani: Nuovo mondo<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Dylan Dog<\/span><\/i><span style=\"font-weight: 400;\"> e<\/span><i><span style=\"font-weight: 400;\"> 4HOODS<\/span><\/i><span style=\"font-weight: 400;\">.<br \/>\n<\/span><span style=\"font-weight: 400;\">Nel 2016 inizia il lavoro presso <\/span><i><span style=\"font-weight: 400;\">Skybound<\/span><\/i><span style=\"font-weight: 400;\">, l\u2019etichetta fondata da Robert Kirkman, con cui lavora sulla serie <\/span><i><span style=\"font-weight: 400;\">Oblivion Song<\/span><\/i><span style=\"font-weight: 400;\"> e un\u2019altra serie ancora in fase di preproduzione.<br \/>\n<\/span><span style=\"font-weight: 400;\">Ha collaborato con <\/span><i><span style=\"font-weight: 400;\">Marvel <\/span><\/i><span style=\"font-weight: 400;\">come colorista per la serie <\/span><i><span style=\"font-weight: 400;\">Star Wars &#8211; The High Republic<\/span><\/i><span style=\"font-weight: 400;\">.<br \/>\n<\/span><span style=\"font-weight: 400;\">Attualmente colora le tavole di Ryan Ottley sulla nuova serie dedicata a uno dei personaggi pi\u00f9 amati dell&#8217;<\/span><i><span style=\"font-weight: 400;\">Invincible Universe<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Battle Beast<\/span><\/i><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><br style=\"font-weight: 400;\" \/><br style=\"font-weight: 400;\" \/><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"Oblivion Song dal 1 ottobre 2022 Mediateca La Cappella Underground Via Roma 19, Triestemostra realizzata in collaborazione con saldaPress ingresso gratuito &nbsp; Dal cataclismatico evento di Philadelphia, il mondo \u00e8 andato avanti e Oblivion, oltre che un pericolo, si \u00e8 [...]","protected":false},"author":2,"featured_media":42669,"parent":40866,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-42668","page","type-page","status-publish","has-post-thumbnail"],"acf":[],"wps_subtitle":"","_links":{"self":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/42668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/comments?post=42668"}],"version-history":[{"count":3,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/42668\/revisions"}],"predecessor-version":[{"id":42712,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/42668\/revisions\/42712"}],"up":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/40866"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media\/42669"}],"wp:attachment":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media?parent=42668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/categories?post=42668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/tags?post=42668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}