{"id":42398,"date":"2022-10-23T11:06:03","date_gmt":"2022-10-23T09:06:03","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/?page_id=42398"},"modified":"2022-11-03T15:26:11","modified_gmt":"2022-11-03T14:26:11","slug":"case-studies-networking-lunch-11-meetings","status":"publish","type":"page","link":"https:\/\/www.sciencefictionfestival.org\/en\/past-editions\/2022tsff\/fantastic-film-forum-2022\/case-studies-networking-lunch-11-meetings\/","title":{"rendered":"Case Studies + Networking Lunch + 1:1 Meetings"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>November 5th 2022<br \/>\nDoubleTree by Hilton Trieste, Sala Riserve<br \/>\n<\/strong><\/p>\n<p>International co-production is by now an inescapable practice in today\u2019s film industry, and this process is being further accelerated by the policies of the European Union and of the new Creative Europe MEDIA Programme. This set of case studies is meant to look into several examples of co-production practices throughout Europe, and into the peculiarities they take on in different areas of the continent.<\/p>\n<p>All events will take place in English<\/p>\n<p>Info: forum@scienceplusfiction.org<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div data-vc-full-width=\"true\" data-vc-full-width-temp=\"true\" data-vc-full-width-init=\"false\" class=\"vc_row wpb_row vc_row-fluid vc_custom_1634465119456 vc_row-has-fill\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><h2  class=\"g1-title g1-title-align-center g1-delta g1-delta-2nd\"><span>PROGRAMME<\/span><\/h2>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>Starting from 10.00<\/strong><br \/>\n<em>Case studies<\/em><\/p>\n<h2><strong>(Co)producers in Europe<\/strong><\/h2>\n<p><strong>Eastern Europe and the American connection: \u201cThe Deal\u201d<\/strong><br \/>\nThanks to low costs, regional fundings and tax rebates, Eastern Europe has long been a popular location for international (and particularly US) film productions. During the last few years, this practice has become more and more common and has brought about a constant and deeper cooperation with US cinema. \u201cThe Deal\u201d, shot and produced in the Balkans with US financings, is a very good example of this practice, that will be discussed with its Hungarian director Orsi Nagyp\u00e1l.<\/p>\n<p>Speaker:<strong> Orsi Nagyp\u00e1l<\/strong>, director (Hungary)<\/p>\n<p><strong>\u201cFlowing\u201d and the return of Italian genre to the international scene<\/strong><br \/>\nAfter decades of isolation, Italian genre cinema is starting to seriously deal with international co-production and trying to get into step with European film industries. Starting from a case study of \u201cFlowing\u201d, an overview of genre cinema in Italy and of its international outlook.<\/p>\n<p>Speakers: <strong>Paolo Strippoli<\/strong>, director (Italy); <strong>Marina Marzotto<\/strong>, Producer, Founder &amp; Senior Partner, Propaganda Italia (Italy);<strong> Dario Vecchiato<\/strong>, Head of Acquisitions, Gapbusters (Belgium)<\/p>\n<p><strong>The Northern Europe connection: \u201cMemory of Water\u201d<\/strong><br \/>\nNorthern Europe has been strongly supporting the genre film industry for years now. This policy is engaging many European and non-EU countries, and has brought about dozens of internationally acclaimed hits. The latest of these, \u201cMemory of Water\u201d, will be analysed here by its Finnish director and producer.<\/p>\n<p>Speakers:<strong> Saara Saarela<\/strong>, director (Finland);<strong> Mark Lwoff<\/strong>, producer, Bufo (Finland)<\/p>\n<p><strong>From Lithuania to Europe: \u201cVesper\u201d<\/strong><br \/>\nThanks to a policy of strong support to the audiovisual industry, in a very few years Lithuania has shifted from a marginal position to a key role in international co-production. This has brought about a great development in the local film industry, and spawned great and visually stunning movies \u2013 such as \u201cVesper\u201d, presented here by its Lithuanian directors and producers.<\/p>\n<p>Speakers: <strong>Kristina Buozyte<\/strong> and <strong>Bruno Samper<\/strong>, directors (Lithuania); <strong>Asta Liukaityte<\/strong> and <strong>Daiva Jovaisiene<\/strong>, producers (Lithuania)<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_border_width_1 vc_sep_pos_align_center vc_separator_no_text vc_custom_1666514691692 wpb_content_element  vc_custom_1666514691692 wpb_content_element\"   style=\"width: 100%;\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\n<\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>13.00<\/strong><\/p>\n<h2><strong>Networking lunch<\/strong><\/h2>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_border_width_1 vc_sep_pos_align_center vc_separator_no_text vc_custom_1666514691692 wpb_content_element  vc_custom_1666514691692 wpb_content_element\"   style=\"width: 100%;\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\n<\/div><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_border_width_1 vc_sep_pos_align_center vc_separator_no_text vc_custom_1666514691692 wpb_content_element  vc_custom_1666514691692 wpb_content_element\"   style=\"width: 100%;\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\n<\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>14.30-16.30<\/strong><\/p>\n<h2><strong>One-to-one meetings<\/strong><\/h2>\n<p>In-person meetings with some of the decision-makers and professionals attending the festival. 40 minutes long slots, first come first served.<\/p>\n<p><a href=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2022\/11\/One-to-One-Meetings-Schedule_OK.pdf\">Check here the schedule<\/a><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row-full-width vc_clearfix\"><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_btn3-container vc_btn3-center vc_do_btn\" ><a style=\"background-color:#ebebeb; color:#666;\" class=\"vc_general vc_btn3 vc_btn3-size-md vc_btn3-shape-rounded vc_btn3-style-modern\" href=\"https:\/\/vp.eventival.com\/tsplusff\/2022\" title=\"\">Registration<\/a><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"November 5th 2022 DoubleTree by Hilton Trieste, Sala Riserve International co-production is by now an inescapable practice in today\u2019s film industry, and this process is being further accelerated by the policies of the European Union and of the new Creative [...]","protected":false},"author":1,"featured_media":0,"parent":41770,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"g1-template-page-full.php","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-42398","page","type-page","status-publish"],"acf":[],"wps_subtitle":"<a href=\"https:\/\/www.sciencefictionfestival.org\/en\/archivio\/2022tsff\/fantastic-film-forum-2022\/\">&lt;&lt; Fantastic Film Forum 2022<\/a>","_links":{"self":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/42398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/comments?post=42398"}],"version-history":[{"count":13,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/42398\/revisions"}],"predecessor-version":[{"id":42409,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/42398\/revisions\/42409"}],"up":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/41770"}],"wp:attachment":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media?parent=42398"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/categories?post=42398"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/tags?post=42398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}