{"id":41948,"date":"2022-10-10T19:23:58","date_gmt":"2022-10-10T17:23:58","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/?page_id=41948"},"modified":"2022-10-24T12:13:25","modified_gmt":"2022-10-24T10:13:25","slug":"2022-workshops","status":"publish","type":"page","link":"https:\/\/www.sciencefictionfestival.org\/en\/past-editions\/2022tsff\/fantastic-film-forum-2022\/2022-workshops\/","title":{"rendered":"2022 Workshops"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>November 3rd 2022 \u2013 DoubleTree by Hilton Trieste, Sala Riserve<br \/>\n10.00\/12.00<br \/>\n<\/strong><em>Workshop<\/em><\/p>\n<h2><strong>Producing films that sell<\/strong><\/h2>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_row wpb_row vc_inner vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>A practical and agile guide to successfully develop a film production and to set up an effective sales strategy for the international market.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>Agenda<\/strong><\/p>\n<ul>\n<li>Setting up pitch materials for buyers and digital platforms (Netflix, Amazon, HBO, etc.): bible, pilot script, synopsis, budget, pitch deck<\/li>\n<li>Executive production of feature films: from development to budgeting, casting, pre-production, production, post-production, international distribution<\/li>\n<li>Marketing and sales strategies: how to sell a project<\/li>\n<li>Financing strategies: how and where to get funds<\/li>\n<li>Analyzing the international markets<\/li>\n<\/ul>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_inner vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-3\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2022\/10\/LorisCurci.jpg\" width=\"500\" height=\"500\" style=\"width:100%;aspect-ratio:500\/500;object-fit:cover\" alt=\"\" title=\"LorisCurci\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-9\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>Tutor<br \/>\n<strong>Loris Curci<\/strong> &#8211; Producer (Spain\/Italy)<br \/>\nFilm producer, screenwriter and actor. He writes for film magazines such as Fangoria, The Dark Side, L\u2019Ecran Fantastique, Starburst and Gorezone. He produced more than 25 feature films. His two most recent productions, <em>The Quantum Devil<\/em> and <em>The Ghosts of Monday<\/em>, are currently being released worldwide. He worked with directors Darren Lynn Bousman, Tim Disney, Francesco Cinquemani and Adam Mason among others. Also teaches film production at the Universities of Tor Vergata in Roma and ESERP in Barcelona.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div data-vc-full-width=\"true\" data-vc-full-width-temp=\"true\" data-vc-full-width-init=\"false\" class=\"vc_row wpb_row vc_row-fluid vc_custom_1665421575000 vc_row-has-fill\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>November 3rd 2022 \u2013 DoubleTree by Hilton Trieste, Sala Riserve<br \/>\n14.00\/16.00<br \/>\n<\/strong><em>Workshop<\/em><\/p>\n<h2><strong>Who is it for? Know your own film<\/strong><\/h2>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_row wpb_row vc_inner vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>Understanding in detail your film is a crucial premise to effectively place it in the market. This requires in-depth comprehension of your project \u2013 of its target, of its peculiarities, of its potential. This workshop is designed to provide the basics of this process.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>Agenda<\/strong><\/p>\n<ul>\n<li>Placing your film in the market: what audience or festival is the best launch for your film; what your genre says about you<\/li>\n<li>Know your story: your core story may have been told dozens of time &#8211; how is yours different? Know that your audience knows as much as you do and what their expectations are<\/li>\n<li>Know your history: where is your film within the genre as a whole; programmers want to give their audiences something accessible to entice them or something fresh to keep them going out satisfied? What does your film bring to a line-up?<\/li>\n<li>How far will it travel? Is your film a very small story exquisitely told or does it have potential to resonate across the globe?<\/li>\n<\/ul>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_inner vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-3\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"https:\/\/sfft.noiza-assets.eu\/sfft\/2022\/10\/GilesEdwards.jpg\" width=\"500\" height=\"500\" style=\"width:100%;aspect-ratio:500\/500;object-fit:cover\" alt=\"\" title=\"GilesEdwards\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-9\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>Tutor<br \/>\n<strong>Giles Edwards<\/strong> \u2013 Head of Development &amp; Acquisitions (Queensbury Pictures\/MPI Media\/Dark Sky Films, UK)<br \/>\nGiles is a 20 year veteran of the international film industry, working across distribution, acquisitions, development and production. Starting his career at Metrodome, after a period consulting and acquiring for AMC\u2019s Shudder VOD platform, he is currently a producer, partner and Head of Development &amp; Acquisitions for Queensbury and MPI.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vc_row-full-width vc_clearfix\"><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"November 3rd 2022 \u2013 DoubleTree by Hilton Trieste, Sala Riserve 10.00\/12.00 Workshop Producing films that sell A practical and agile guide to successfully develop a film production and to set up an effective sales strategy for the international market. Agenda [...]","protected":false},"author":1,"featured_media":0,"parent":41770,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"g1-template-page-full.php","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-41948","page","type-page","status-publish"],"acf":[],"wps_subtitle":"<a href=\"https:\/\/www.sciencefictionfestival.org\/en\/archivio\/2022tsff\/fantastic-film-forum-2022\/\">&lt;&lt; Fantastic Film Forum 2022<\/a>","_links":{"self":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/41948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/comments?post=41948"}],"version-history":[{"count":9,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/41948\/revisions"}],"predecessor-version":[{"id":42443,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/41948\/revisions\/42443"}],"up":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/41770"}],"wp:attachment":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media?parent=41948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/categories?post=41948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/tags?post=41948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}