{"id":37973,"date":"2021-10-21T19:27:04","date_gmt":"2021-10-21T17:27:04","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/?page_id=37973"},"modified":"2021-10-28T10:24:04","modified_gmt":"2021-10-28T08:24:04","slug":"november-1st-2021-fantastic-film-forum","status":"publish","type":"page","link":"https:\/\/www.sciencefictionfestival.org\/en\/past-editions\/2021tsff\/2021-fantastic-film-forum\/november-1st-2021-fantastic-film-forum\/","title":{"rendered":"European Crossroads – Fantastic Film Forum"},"content":{"rendered":"
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November 1st, 2021
\n<\/strong>Case studies<\/em><\/p>\n

EUROPEAN CROSSROADS<\/strong><\/h2>\n

In today\u2019s film industry, national borders are less and less important, while international cooperation becomes an increasingly inescapable practice. Due to their geographical position or to the nature of their national film markets, some areas act as natural crossroads between the film industry of different European countries. These meetings will offer a survey on some of these cases, on the opportunities they offer, and on how local film companies benefited from this.<\/p>\n

All events will take place online. Registration required.<\/a><\/p>\n

Per info: forum@scienceplusfiction.org<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

PROGRAMME<\/span><\/h2>\n\t
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10.00<\/strong><\/p>\n

(Co)Producers in Europe
\nBelgium: Beno\u00eet Roland and Wrong Men<\/strong><\/h2>\n

Though still very young, Beno\u00eet Roland is one of the most eclectic and interesting producers of the new European cinema. Supported by a strong international film production network, Roland has a clear-cut preference for young authors and high-reaching projects (such as Leos Carax\u2019s Annette, selected at this year\u2019s Trieste Science+Fiction Festival), ranging from shorts, to arthouse films, to sheer genre films. A meeting with one of the most active European producers \u2013 and a survey on a film industry deeply founded on co-production such as Belgian cinema.<\/p>\n

Speaker
\nBeno\u00eet Roland<\/strong>, produttore, Wrong Men (Belgium)<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t

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10.50<\/strong><\/p>\n

(Co)Producers in Europe
\nItaly: Vargo Film<\/strong><\/h2>\n

Vargo Film is one of the very few independent production companies in Italy to regularly produce genre films. Very attentive to international opportunities ever since its foundation in 2014 (it co-produced The Man with the Magic Box, Asteroide award at the 2017 Trieste Science+Fiction Festival), with its latest projects Vargo Film is going on to consistently co-produce on an international level. But what does it mean to produce genre cinema in Italy today? What are the international opportunities for this?<\/p>\n

Speaker
\nAlessandro Riccardi<\/strong>, CEO, Vargo Film (Italy)<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t

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11.40<\/strong><\/p>\n

(Co)Producers in Europe
\nIreland: Tailored Films<\/strong><\/h2>\n

Dublin-based Tailored Films is one of the most interesting production companies in today\u2019s Ireland: deeply rooted in the Irish culture and film industry, keenly bent on international co-production, almost entirely managed by women \u2013 and an eager disposition for genre films. Starting from a case study of their last film Let the wrong one in (selected at this year\u2019s Trieste Science+Fiction), this meeting is meant to present a solidly European production company, as well as an overview of the film industry of its country.<\/p>\n

Speaker
\nJulianne Forde<\/strong>, produttore, Tailored Films (Irlanda)<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t

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12.30<\/strong><\/p>\n

(Co)Producers in Europe
\nIceland: Hr\u00f6nn Kristinsdottir and Sara Nassim
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In spite of a (seemingly) marginal position, the Icelandic film industry is growing fast in
\nrecent times \u2013 both as a movie location and as regards domestic production. Naturally
\nbent on co-production, the local film industry regularly releases high-level international
\nproductions \u2013 such as Lamb<\/em>, which premi\u00e8red in Cannes and has been selected at this
\nyear’s Trieste Science+Fiction Festival. Starting from a case history on this film, an
\noverview of the Icelandic film industry, of its peculiarities and opportunities, together with
\nthe producers of Lamb<\/em>.<\/p>\n

Speaker
\nHr\u00f6nn Kristinsdottir<\/strong> e Sara Nassim<\/strong>, producers (Island)<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

Registration<\/a><\/div><\/div><\/div><\/div><\/div>
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