{"id":35984,"date":"2014-07-30T12:03:28","date_gmt":"2014-07-30T10:03:28","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/archivio\/tsff-2011\/"},"modified":"2025-04-03T11:16:28","modified_gmt":"2025-04-03T09:16:28","slug":"tsff-2011","status":"publish","type":"page","link":"https:\/\/www.sciencefictionfestival.org\/en\/past-editions\/tsff-2011\/","title":{"rendered":"2011 Trieste Science+Fiction"},"content":{"rendered":"
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10\u201413
\nNovembre
\n2011<\/h3>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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10-13 November 2011. Zombie Invasion<\/strong>
\nGeorge A. Romero lands in Trieste to receive the career award. A horde of zombies, woken up for the occasion, fills up the Cinecity, the venue where the Festival has been taken place since 2000. The edition \u2013 notable for the change of the Festival\u2019s name into Trieste Science+Fiction \u2013 hosts a focus on made-in-Russia space cinema as a tribute to the 50th anniversary of Yuri Gagarin\u2019s first orbital flight.
\nThe poster of the 2011 edition is emblematic of Trieste Science+Fiction\u2019s love for the fantastic, the surreal and all that is on the verge between real and unreal: it shows a female \u201cdancer\u201d en pointe suspended in the air, as if she is being pulled up by an invisible force or by the invisible threads of a puppeteer.<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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Giuria premio Asteroide<\/em><\/h5>\n
Sergio \u201cAlan D.\u201d Altieri,
\nJan Doense,
\nTullio Avoledo<\/b><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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Giuria premio M\u00e9li\u00e8s d’argent<\/em><\/h5>\n
Francesco Barilli,
\nRoberto Nepoti,
\nLeonardo Gandini<\/b><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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Poster artist<\/em><\/h5>\n
Mario Alberti<\/b><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
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Premio Asteroide<\/em>
\nMonsters<\/strong><\/a>
\nGareth Edwards<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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M\u00e9li\u00e8s d’Argent<\/em>
\nL’arrivo di Wang<\/strong><\/a>
\nManetti Bros.<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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M\u00e9lies d\u2019argent Short<\/em>
\nSudd: Out of Erasers<\/strong><\/a>
\nErik Rosenlund<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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Premio del pubblico<\/em>
\nStake Land<\/strong><\/a>
\nJim Mickle<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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Urania d’Argento<\/em>
\nGeorge A. Romero<\/strong>
\nPremio alla carriera<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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Neon<\/a><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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Fantastic Shorts<\/a><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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Spazio Italia<\/a><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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Urania d’argento<\/a><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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Focus Russia<\/a><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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Extra<\/a><\/h4>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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L\u2019Arrivo di Wang<\/a><\/strong>
\nFratelli Manetti
\nCave of Forgotten Dreams<\/a><\/strong>
\nWerner Herzog
\nExtraterrestre<\/a><\/strong>
\nNacho Vigalondo
\nGantz<\/a><\/strong>
\nShinsuke Sato
\nGantz: Perfect Answer<\/a><\/strong>
\nShinsuke Sato
\nMonsters<\/a><\/strong>
\nGareth Edwards
\nNuclear Family<\/a><\/strong>
\nKyle Rankin
\nThe Prodigies<\/a><\/strong>
\nAntoine Charreyron
\nSint<\/a><\/strong>
\nDick Maas
\nStake Land<\/a><\/strong>
\nJim Mickle
\nThe Show Must Go On<\/a><\/strong>
\nNevio Marasovic
\nTarget<\/a><\/strong>
\nAlexander Zeldovich
\nThe Thing<\/a><\/strong>
\nMatthijs Jr. van Heijningen
\nTrollhunter<\/a><\/strong>
\nAndr\u00e9 \u00d8vredal
\nL’Ultimo Terrestre<\/a><\/strong>
\nGian Alfonso Pacinotti (Gipi)<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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