{"id":24773,"date":"2021-04-09T13:20:23","date_gmt":"2021-04-09T13:20:23","guid":{"rendered":"http:\/\/127.0.0.1\/wordpress\/learning-from-history\/"},"modified":"2022-01-28T16:01:33","modified_gmt":"2022-01-28T15:01:33","slug":"learning-from-history","status":"publish","type":"page","link":"https:\/\/www.sciencefictionfestival.org\/en\/tsff-2020\/fantastic-film-forum-2020\/learning-from-history\/","title":{"rendered":"Learning from History"},"content":{"rendered":"<h3><strong>Fantastic Film Forum<br \/>\nSunday, November the 1st of November 2020<\/strong><\/h3>\n<p>&nbsp;<\/p>\n<h3>LEARNING FROM HISTORY<br \/>\nCase studies<\/h3>\n<p>Strategy and notions are always useful, but practical application very often is extremely different and can lead to unexpected solutions. This session \u2013 exclusively made of case studies with producing companies, single films or developing projects \u2013 has been specifically organised to actually verify how emerging professionals have realised (or are in the process of realising) their project, what difficulties they have encountered, how they were able to overcome them, and what their future goals are. Because history can always teach us something.<\/p>\n<p>All events are online and in English<\/p>\n<p>Info at: <a href=\"mailto:forum@scienceplusfiction.org\">forum@scienceplusfiction.org<\/a><\/p>\n<hr \/>\n<h3>Programme of the Day<\/h3>\n<p>10.00 am<br \/>\n<strong>S<\/strong><strong>tories beyond the borders: Pilgrim Film<br \/>\n<\/strong>The history of a film company which has looked beyond the borders ever since its birth: founded in Trieste, a crossroad of cultures in the heart of central Europe, Pilgrim Film has always been voted to co-productions. An overview of its production history and policy, starting from the first documentary films, then the feature films in co-production with Ukraine and Slovenia, and finally the new projects in development with France and Sri Lanka \u2013 boosted by the fundamental support of the local FVG Audiovisual Fund.<\/p>\n<p>Speaker: <strong>Andrea Magnani<\/strong>, CEO, Pilgrim Film (Italy)<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/wQfKlRAldvM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>10.45 am<strong><br \/>\nThe Italian way to international cinecomics: <em>Dampyr<br \/>\n<\/em><\/strong>A successful comics series adapted for cinema, a high budget, international locations, the starting of a cinematic universe: a common praxis for US cinema, but an absolute novelty for Italy. A meeting with Bonelli Editore, that launched the project, and with Brandon Box, which curated the production of the first episode, <em>Dampyr<\/em>, to illustrate a production operation of international value but with an utterly Italian heart.<\/p>\n<p>Speakers: <strong>Andrea Sgaravatti<\/strong>, CEO, Brandon Box (Italy); <strong>Alessandro Pittoni<\/strong>, Head of Original Production, Brandon Box (Italy); <strong>Vincenzo Sarno<\/strong>, Head of Property Business Development, Sergio Bonelli Editore<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/5G5dAi9LA84\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>11.30 am<strong><br \/>\nIndependent genre film production companies on the move: Macaia Film<br \/>\n<\/strong>Founded in a territory seldom touched by cinema such as Liguria, in the course of the years Macaia Film has grown: video services, executive productions, the first experiments with fiction, the factual series for Sky and for Prime Video, and finally the international leap with two genre projects at development stage, in co-production with Chile and Belgium. A route that may appear normal, but which holds the ambition \u2013 not so common in Italy \u2013 of looking beyond the regional and national borders.<br \/>\nSpeaker: <strong>Simone Gandolfo<\/strong>, CEO, Macaia Film (Italy)<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/BsY_Obz46Ws\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong><em>\u00a0<\/em><\/strong><\/p>\n<p>12.15 am<strong><em><br \/>\nDune Drifter<\/em><\/strong><strong>: how to make a science fiction film in your <\/strong><strong>living<\/strong><strong> room (and survive COVID)<br \/>\n<\/strong>Author of the zombie-movie <em>Colin<\/em>, shot with a budget of 45 pounds, with his latest <em>Dune Drifter <\/em>Marc Price has addressed science fiction with a surely higher budget, but with a similar spirit: a 7 days shooting in Island, a set re-built within his living room, VFX professionals together with home-made expedients, and a lock-down to make everything more complicated. The result is a \u201chome-made\u201d science fiction film which perfectly meets the ambitions of an action science fiction film, and illustrates how to maximise the resources available.<\/p>\n<p>Speaker: <strong>Marc Price<\/strong><strong>,<\/strong> director (UK)<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/AdaxU7XOA2I\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>An American (film) in Europe: Skylin3s<br \/>\n<\/strong>If <em>Beyond Skyline<\/em> had maximized the practice of global co-production (US management, financings mostly from Asia and Canada, Indonesian locations), its sequel <em>Skylin3s <\/em>bursts into the European co-production system like an alien spaceship. A spectacular production hybrid, which makes the most of international co-production opportunities, explained by its European representative Leo Haidar.<\/p>\n<p><strong>SPECIAL PREVIEW<\/strong><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/RuecVoUVVow\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Speaker: <strong>Leo Haidar<\/strong>, Executive Producer Skylin3s (France), <a href=\"mailto:leo@hdrlaw.com\">leo@hdrlaw.com<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2><a href=\"https:\/\/vp.eventival.com\/tsplusff\/2020\">JOIN THE FANTASTIC FILM FORUM 2020!<\/a><\/h2>\n<p>&nbsp;<\/p>\n<p>Info: <a href=\"mailto:forum@scienceplusfiction.org\">forum@scienceplusfiction.org<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Fantastic Film Forum Sunday, November the 1st of November 2020 &nbsp; LEARNING FROM HISTORY Case studies Strategy and notions are always useful, but practical application very often is extremely different and can lead to unexpected solutions. This session \u2013 exclusively [&hellip;] <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.sciencefictionfestival.org\/en\/tsff-2020\/fantastic-film-forum-2020\/learning-from-history\/\">More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":19162,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[],"tags":[157,152,89],"class_list":["post-24773","page","type-page","status-publish","tag-157","tag-fff","tag-ok"],"acf":[],"wps_subtitle":"","_links":{"self":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/24773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/comments?post=24773"}],"version-history":[{"count":2,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/24773\/revisions"}],"predecessor-version":[{"id":40013,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/24773\/revisions\/40013"}],"up":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/pages\/19162"}],"wp:attachment":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media?parent=24773"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/categories?post=24773"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/tags?post=24773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}