{"id":53847,"date":"2025-10-14T10:53:02","date_gmt":"2025-10-14T08:53:02","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/?post_type=film&p=53847"},"modified":"2025-10-24T16:57:38","modified_gmt":"2025-10-24T14:57:38","slug":"john-lilly-and-the-earth-coincidence-control-office","status":"publish","type":"film","link":"https:\/\/www.sciencefictionfestival.org\/en\/film\/john-lilly-and-the-earth-coincidence-control-office\/","title":{"rendered":"John Lilly and the Earth Coincidence Control Office"},"content":{"rendered":"
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Mercoled\u00ec 29 ottobre 2025
\n20.30
\nTeatro Miela<\/h3>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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Wednesday 29th october 2025
\n20.30
\nTeatro Miela<\/span><\/h3>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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Michael Almereyda, Courtney Stephens
\nUSA 2025, 87\u2019<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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Guest:
\nMichael Almereyda<\/strong><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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2025_Mondofuturo
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John Lilly era un neuroscienziato visionario e controverso che ha esplorato i limiti della coscienza con le vasche di isolamento da lui inventate, la comunicazione con i delfini e gli esperimenti psichedelici con l’LSD, trasformandosi da ricercatore a esploratore mistico. Questo affascinante documentario fa nuova luce su un’epoca della controcultura americana e mostra come Lilly avesse previsto che gli esseri umani avrebbero trovato il modo di interagire con altre specie, in particolare con gli animali marini, ma potenzialmente anche con extraterrestri. Il suo lavoro innovativo ha ispirato film come Il giorno del delfino<\/em> (1973) e Stati di allucinazione<\/em> (1980), nonch\u00e9 la serie di videogiochi \u201cEcco the Dolphin\u201d.<\/p>\n

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John Lilly was a visionary and controversial neuroscientist who explored the limits of consciousness through isolation tanks, which he invented, communication with dolphins and psychedelic LSD experiments, transforming himself from researcher to mystical explorer. This fascinating and eye-opening documentary puts a new spotlight on an era in U.S. counterculture and shows how Lilly predicted humans would find ways to interface with other species, particularly marine animals, but potentially extraterrestrial life. His groundbreaking work inspired such movies as THE DAY OF THE DOLPHIN (1973) and ALTERED STATES (1980), as well as the video game series \u2018Ecco the Dolphin\u2019.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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Sceneggiatura_Screenplay Michael Almereyda, Courtney Stephens<\/strong>
\nFotografia_Cinematography Neille Kluz, Rafael Palacio-Illingworth, Norbert Shieh, Courtney Stephens, Pacho Velez<\/strong>
\nMontaggio_Editing Courtney Stephens, Iva Radivojevi\u0107, Max Bowens<\/strong>
\nSuono_Sound Brian Battersby<\/strong>
\nMusica_Music Brian McOmber<\/strong>
\nEffetti Speciali_Special Effects Rob Scharlach<\/strong>
\nProduttori_Producers Taylor Hess, Jesse Miller, Michael Almereyda, Courtney Stephens<\/strong>
\nProduzione_Productions Subtle Body Films, Couple 3 Films<\/strong><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
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Biglietteria<\/a><\/h3>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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PROGRAMMA<\/a><\/h3>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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Mondofuturo<\/h3>\n\n\t\t<\/div>\n\t<\/div>\n
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Michael Almereyda, Courtney Stephens
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USA 2025, 87\u2019
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\u2014
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2025 Mondofuturo<\/h5>\n

More<\/a><\/p>","protected":false},"author":10,"featured_media":53929,"menu_order":510292030,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[689],"tags":[691],"neon":[694,690],"class_list":["post-53847","film","type-film","status-publish","format-standard","has-post-thumbnail","category-film-2025","tag-29-10-2025","neon-2025-mondofuturo","neon-film-2025"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/53847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/types\/film"}],"author":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/users\/10"}],"version-history":[{"count":4,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/53847\/revisions"}],"predecessor-version":[{"id":55019,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/53847\/revisions\/55019"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media\/53929"}],"wp:attachment":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media?parent=53847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/categories?post=53847"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/tags?post=53847"},{"taxonomy":"neon","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/neon?post=53847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}