{"id":49010,"date":"2024-04-18T12:14:47","date_gmt":"2024-04-18T10:14:47","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/film\/diary-of-the-dead\/"},"modified":"2024-05-14T10:49:41","modified_gmt":"2024-05-14T08:49:41","slug":"diary-of-the-dead","status":"publish","type":"film","link":"https:\/\/www.sciencefictionfestival.org\/en\/film\/diary-of-the-dead\/","title":{"rendered":"Diary of the Dead"},"content":{"rendered":"
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George A. Romero
\nUSA 2008, 95\u2019<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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2011_Urania d’argento a George A. Romero<\/a><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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Jason Creed e la sua troupe stanno girando un film horror nei boschi della Pennsylvania quando i media iniziano riportare una scioccante ultim\u2019ora: i morti risorgono dalle loro tombe per banchettare con la carne dei vivi. La troupe \u00e8 costretta cos\u00ec a combattere per la propria vita, pur non avendo armi per difendersi e soltanto un traballante camper in cui cercare rifugio. L\u2019evidente gravit\u00e0 della situazione e lo scetticismo dichiarato nei confronti dei media spingono Jason Creed ad usare la sua videocamera stessa per catturare la vera storia in un documentario intitolato \u201cThe Death of Death\u201d.
\nStoria vivente che diventa morta e poi torna vivente. \u00c8 il pap\u00e0 degli zombie, le sue creature predilette. Quelle che, se potessero, lo circonderebbero per mangiargli, insaziabili, il succulento cervello da cineasta. Oggi, lo sappiamo, George A. Romero<\/strong> prova piet\u00e0 per queste figure spaventose e ripugnanti del cinema fantastico. Perch\u00e9 per lui, queste sagome che tornano a camminare, dall’alba al tramonto, sulla terra rappresentano la ragione negata. Ci\u00f2 che di peggiore pi\u00f9 capitare all’uomo.<\/p>\n

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Jason Creed and his crew are shooting a mummy movie in the Pennsylvania woods when media reports begin pouring in about the dead rising from their graves to feast on the flesh of the living. The cast and crew are forced to fight for their lives despite having no weapons to speak of, and only a wobbly recreational vehicle in which to seek shelter. Immediately recognizing the gravity of the situation and outspokenly skeptical of the media, determined director Creed decides to use his own camera to capture the real story in a documentary entitled \u201cThe Death of Death.\u201d
\nLiving story becoming dead and then living again. He is the zombies\u2019 father. Zombies are his favorite creatures, which, if possible, would surround him to eat his juicy filmmaker\u2019s brain. Now – we all know that – George A. Romero<\/strong> pities these scary and horrific figures typical of the fantastic cinema. To him, in fact, these figures coming back to walk from dawn to dusk are the denied reason. It is the worst thing that could happen to man.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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Sceneggiatura_Screenplay
\nGeorge A. Romero<\/strong>
\nFotografia_Cinematography
\nAdam Swica<\/strong>
\nMontaggio_Editing
\nMichael Doherty<\/strong>
\nMusiche_Music
\nNorman Orenstein<\/strong>
\nInterpreti_Cast
\nJoshua Close, Michelle Morgan, Shawn Roberts, Joe Dinicol, Phillip Riccio<\/strong><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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2011 Festival Lineup<\/h3>\n\n\t\t<\/div>\n\t<\/div>\n
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<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"
George A. Romero
\nUSA 2008, 95\u2019
\n–
\n2011 Urania d’argento<\/h5>\n

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