{"id":33799,"date":"2021-08-16T12:39:39","date_gmt":"2021-08-16T10:39:39","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/?post_type=film&p=33799"},"modified":"2024-04-18T12:21:59","modified_gmt":"2024-04-18T10:21:59","slug":"land-of-the-dead-george-a-romero","status":"publish","type":"film","link":"https:\/\/www.sciencefictionfestival.org\/en\/film\/land-of-the-dead-george-a-romero\/","title":{"rendered":"Land of the Dead"},"content":{"rendered":"
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George A. Romero
\nUSA 2005, 93′<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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2011_Urania d’argento a George A. Romero<\/a><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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Gli zombie dominano ormai le strade della maggior parte delle citt\u00e0 americane, mentre i grattacieli urbani sono stati presi dagli esseri umani sopravvissuti. A guardia degli edifici ci sono dei mercenari che hanno imparato a dar battaglia agli zombie, facendo uso di armi sempre pi\u00f9 potenti. Ma, come la civilt\u00e0 zombie cresce, le creature hanno iniziato lentamente ad evolversi ed il loro processo di pensiero dormiente comincia a svegliarsi, e mentre cominciano a fermentare disordini tra i mercenari e gli imprenditori che li pagano, i ghoul potrebbero aver trovato un modo per sconfiggere l’ultima roccaforte dell’umanit\u00e0.
\nStoria vivente che diventa morta e poi torna vivente. \u00c8 il pap\u00e0 degli zombie, le sue creature predilette. Quelle che, se potessero, lo circonderebbero per mangiargli, insaziabili, il succulento cervello da cineasta. Oggi, lo sappiamo, George A. Romero<\/strong> prova piet\u00e0 per queste figure spaventose e ripugnanti del cinema fantastico. Perch\u00e9 per lui, queste sagome che tornano a camminare, dall’alba al tramonto, sulla terra rappresentano la ragione negata. Ci\u00f2 che di peggiore pi\u00f9 capitare all’uomo.<\/p>\n

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Zombies now dominate the streets of most American cities, while urban skyscrapers have been taken over by surviving humans. Guarding the buildings are rough-and-tumble mercenaries who have learned to do battle with the zombies, making use of powerful weapons to gain advantage. But as the zombie civilization grows, the creatures have begun to slowly evolve, with their dormant thought processes beginning to awaken, and as unrest begins to ferment among the mercenaries and the entrepreneurs who pay them, the ghouls may have found a way to defeat the last stronghold of humanity.
\nLiving story becoming dead and then living again. He is the zombies\u2019 father. Zombies are his favorite creatures, which, if possible, would surround him to eat his juicy filmmaker\u2019s brain. Now – we all know that – George A. Romero<\/strong> pities these scary and horrific figures typical of the fantastic cinema. To him, in fact, these figures coming back to walk from dawn to dusk are the denied reason. It is the worst thing that could happen to man.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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Sceneggiatura_Screenplay
\nGeorge A. Romero<\/strong>
\nFotografia_Cinematography
\nMiroslaw Baszak<\/strong>
\nMontaggio_Editing
\nMichael Doetry<\/strong>
\nMusiche_Music
\nReinhold Heil, Johnny Klimek<\/strong>
\nInterpreti_Cast
\nAsia Argento, Simon Baker, Dennis Hopper, John Leguizamo, Robert Joy<\/strong><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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2011 Festival Lineup<\/h3>\n\n\t\t<\/div>\n\t<\/div>\n
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<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"
George A. Romero
\nUSA 2005, 93′
\n–
\n2011 Urania d’argento<\/h5>\n

More<\/a><\/p>","protected":false},"author":1,"featured_media":33811,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[],"tags":[538],"neon":[332],"class_list":["post-33799","film","type-film","status-publish","format-standard","has-post-thumbnail","tag-george-romero","neon-premio-urania-2011"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/33799","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/types\/film"}],"author":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":3,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/33799\/revisions"}],"predecessor-version":[{"id":49012,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/33799\/revisions\/49012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media\/33811"}],"wp:attachment":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media?parent=33799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/categories?post=33799"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/tags?post=33799"},{"taxonomy":"neon","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/neon?post=33799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}