{"id":30228,"date":"2021-08-09T15:50:29","date_gmt":"2021-08-09T13:50:29","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/?post_type=film&p=30228"},"modified":"2024-05-10T12:44:56","modified_gmt":"2024-05-10T10:44:56","slug":"eolomea-la-sirena-delle-stelle-herrmann-zschoche","status":"publish","type":"film","link":"https:\/\/www.sciencefictionfestival.org\/en\/film\/eolomea-la-sirena-delle-stelle-herrmann-zschoche\/","title":{"rendered":"Eolomea \u2013 La sirena delle stelle"},"content":{"rendered":"
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Herrmann Zschoche
\nEast Germany, URSS, Bulgaria 1972, 82′<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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1973_FIFF<\/a>
\n2009_Marx Attacks!<\/a><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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Il tema – la scoperta di una civilt\u00e0 extraterrestre quasi inaccessibile – \u00e8 lo stesso di Solaris e di 2001: Odissea nello Spazio, la cui influenza \u00e8 onnipresente: Zschoche deve a 2001 il suo gusto per i modellini e per le immagini astratte, mentre prende da Solaris l\u2019idea di fondere scene futuristiche con scene della vita quotidiana. Se si aggiunge il riferimento – bizzarro – a Lelouche nelle scene d\u2019amore, il film appare come un insieme di immagini gi\u00e0 girate, un\u2019opera solitaria di un topo da cineteca. Eppure la sceneggiatura nella sua ambiguit\u00e0 \u00e8 molto interessante: si vede un astronauta che si imbarca per un viaggio lungo un secolo rinunciando alla sua fidanzata, cosa che sembra molto staliniana; ma si nota anche che le autorit\u00e0 terrestri esitano ad avvallare questo viaggio a causa della durata e perch\u00e9 \u00e8 un comandante della base a volersi mettere in contatto con gli esseri pensanti che abitano probabilmente sul pianeta Eolomea, obiettivo della spedizione. Anche l\u2019eroe disobbedisce, e la fidanzata ne approfitta per utilizzare le istituzioni secondo i suoi fini. Si profila cos\u00ec anche nel santuario dell\u2019ortodossia staliniana che \u00e8 la Germania dell\u2019Est la tradizionale satira della burocrazie a cui la fantascienza offre un grande aiuto.<\/p>\n

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The main theme – the discovery of an almost inaccessible extraterrestrial civilization – is the same as Solaris and 2001: A Space Odyssey, whose influence is omnipresent; Zschoche owes to 2001 its taste for models and abstract images, while it takes the idea of merging the futuristic scenes with episodes of everyday life from Solaris. If we, however, add the bizarre reference to Lelouche to the love scenes, the film looks like a collection of scenes that were shot previously, the work of a lonely cinephile. Yet the script, in its ambiguity, is very interesting: we see an astronaut who embarks on a a century-long journey, giving up his girlfriend \u2013 a very Stalinist ideal. However, we also notice that the reluctant land authorities battled to endorse the trip due to its extreme length, as it\u2019s a base commander who wants to make first contact with the thinking beings that probably inhabit planet Eolomea, the objective of the expedition. Even the hero disobeys, and his girlfriend takes advantage of the situation in order to use the institutions according to her personal agenda. It is clear that, in the orthodox Stalinist sanctuary, East Germany is the traditional satirical element that mocks bureaucracy, helped a great deal by the science fiction genre.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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Sceneggiatura_Screenplay
\nWilli Br\u00fcckner<\/strong>
\nFotografia_Cinematography
\nG\u00fcnter Jaeuthe<\/strong>
\nMontaggio_Editing
\nHelga Gentz<\/strong>
\nMusiche_Music
\nG\u00fcnther Fischer<\/strong>
\nInterpreti_Cast
\nCox Habbema, Ivan Andonov, Rolf Hoppe, Vsevolod Sanayev, Petar Slabakov<\/strong>
\nProduttore_Producer
\nDorothea Hildebrandt<\/strong><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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2009 Festival Lineup<\/h3>\n\n\t\t<\/div>\n\t<\/div>\n
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<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"
Herrmann Zschoche
\nEast Germany, URSS, Bulgaria 1972, 82′
\n–
\n2009 Marx Attacks!<\/h5>\n

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