{"id":29995,"date":"2021-08-09T14:49:50","date_gmt":"2021-08-09T12:49:50","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/?post_type=film&#038;p=29995"},"modified":"2024-04-22T15:36:04","modified_gmt":"2024-04-22T13:36:04","slug":"first-squad-the-moment-of-truth-yoshiharu-ashino-aljosha-klimov-misha-shprits","status":"publish","type":"film","link":"https:\/\/www.sciencefictionfestival.org\/en\/film\/first-squad-the-moment-of-truth-yoshiharu-ashino-aljosha-klimov-misha-shprits\/","title":{"rendered":"First Squad &#8211; The Moment of Truth"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><div data-vc-full-width=\"true\" data-vc-full-width-temp=\"true\" data-vc-full-width-init=\"false\" class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_row wpb_row vc_inner vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h5>Fasuto Sukuwaddo, Yoshiharu Ashino, Aljosha Klimov, Misha Shprits<br \/>\nJapan, Russia, Canada 2009, 73&#8242;<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h5><a href=\"https:\/\/www.sciencefictionfestival.org\/en\/archivio\/tsff-2009\/\">2009_Neon<\/a><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_border_width_1 vc_sep_pos_align_center vc_separator_no_text wpb_content_element  wpb_content_element\"   style=\"width: 100%;\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span style=\"border-top-color:#2A2A2A;\" class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span style=\"border-top-color:#2A2A2A;\" class=\"vc_sep_line\"><\/span><\/span>\n<\/div><div class=\"vc_row wpb_row vc_inner vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-8\"><div class=\"vc_column-inner vc_custom_1710231564303\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>\u00c8 l\u2019anno 1942. L\u2019Armata Rossa mette in campo una violenta resistenza contro gli invasori tedeschi. Nadya, una ragazzina chiaroveggente di quattordici anni, si trova in stato di shock in seguito a un raid aereo. Durante la convalescenza scopre di avere un nuovo dono: prevedere il \u201cMomento della Verit\u00e0\u201d, il punto cruciale verso cui tutte le forze convergono, ovvero il momento esatto in cui le azioni di una singola persona possono decidere l\u2019esito della battaglia.<br \/>\nYoshiharu Ashino ha lavorato in numerose produzioni d\u2019animazione ed \u00e8 membro del team artistico dello Studio 4\u00b0C. Ha debuttato come regista con la serie Tweeny Witches (2004). Aljosha Klimov studia arti visive a Monaco, per poi lavorare come graphic designer. Misha Shprits compie dapprima studi di architettura, poi si orienta verso le arti visive.<\/p>\n<hr \/>\n<p>1942. The Red Army is putting up a violent and effective resistance against the German invaders. 14-year-old Nadya is a clairvoyant, who is shell-shocked in an air raid. Recovering from her concussion, Nadya discovers a new gift \u2013the ability to foresee the \u201cMoments of Truth\u201d\u2013 the most critical moments of future combat encounters, the very points at which a single person\u2019s actions can decide the outcome of a battle.<br \/>\nYoshiharu Ashino has worked on numerous animation productions and is a member of the team of artists at Studio 4 \u00b0C. He debuted as a filmmaker with the series Tweeny Witches (2004). Aljosha Klimov studied visual arts in Munich and subsequently worked as a graphic designer. Misha Shprits first studied architecture and then turned to the visual arts.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h5>Sceneggiatura_Screenplay<br \/>\n<strong>Hirofumi Nakata, Misha Spirits, Aljosha Klimov<\/strong><br \/>\nFotografia_Cinematography<br \/>\n<strong>Sergey Akimov, Jo\u00e3o Da Costa Pinto, Kumiko Sakamoto<\/strong><br \/>\nMontaggio_Editing<br \/>\n<strong>Sergey Akimov, Jo\u00e3o Da Costa Pinto, Kumiko Sakamoto<\/strong><br \/>\nMusiche_Music<br \/>\n<strong>Dj Krush<\/strong><br \/>\nProduttore_Producer<br \/>\n<strong>Eiko Tanaka, Misha Spirits, Aljosha Klimov<\/strong><br \/>\nDistribuzione_Distribution<br \/>\n<strong>Golden Network Asia Limited<\/strong><br \/>\nSito Ufficiale_Official website<br \/>\n<strong>first-squad.com<\/strong><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_border_width_2 vc_sep_pos_align_center vc_separator_no_text vc_custom_1698237245454 wpb_content_element  vc_custom_1698237245454 wpb_content_element\"   style=\"width: 100%;\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span style=\"border-top-color:#2A2A2A;\" class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span style=\"border-top-color:#2A2A2A;\" class=\"vc_sep_line\"><\/span><\/span>\n<\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h3 style=\"text-align: center;\">2009 Festival Lineup<\/h3>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_border_width_1 vc_sep_pos_align_center vc_separator_no_text vc_custom_1698237228846 wpb_content_element  vc_custom_1698237228846 wpb_content_element\"   style=\"width: 100%;\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span style=\"border-top-color:#2A2A2A;\" class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span style=\"border-top-color:#2A2A2A;\" class=\"vc_sep_line\"><\/span><\/span>\n<\/div>\n<div class=\"vc_grid-container-wrapper vc_clearfix vc_grid-animation-none\">\n\t<div class=\"vc_grid-container vc_clearfix wpb_content_element vc_basic_grid\" style=\"--vc-grid-gap:10px;--vc-grid-arrows-color:#5472D2;--vc-grid-paging-color:#EBEBEB;\" data-initial-loading-animation=\"none\" data-vc-grid-settings=\"{&quot;page_id&quot;:29995,&quot;style&quot;:&quot;load-more&quot;,&quot;action&quot;:&quot;vc_get_vc_grid_data&quot;,&quot;shortcode_id&quot;:&quot;1713792703783-5cc5f0df-04ea-6&quot;,&quot;items_per_page&quot;:&quot;8&quot;,&quot;btn_data&quot;:{&quot;title&quot;:&quot;Vedi altri film&quot;,&quot;shape&quot;:&quot;square&quot;,&quot;align&quot;:&quot;center&quot;,&quot;size&quot;:&quot;md&quot;,&quot;style&quot;:&quot;outline&quot;,&quot;gradient_custom_color_1&quot;:&quot;#dd3333&quot;,&quot;gradient_custom_color_2&quot;:&quot;#eeee22&quot;,&quot;gradient_text_color&quot;:&quot;#ffffff&quot;,&quot;custom_background&quot;:&quot;#ebebeb&quot;,&quot;custom_hover_background&quot;:&quot;#2A2A2A&quot;,&quot;custom_text&quot;:&quot;#2A2A2A&quot;,&quot;custom_hover_text&quot;:&quot;#fff&quot;,&quot;custom_border&quot;:&quot;#2A2A2A&quot;,&quot;custom_hover_border&quot;:&quot;#2A2A2A&quot;,&quot;outline_custom_color&quot;:&quot;#666&quot;,&quot;outline_custom_hover_background&quot;:&quot;#666&quot;,&quot;outline_custom_hover_text&quot;:&quot;#fff&quot;,&quot;button_block&quot;:&quot;&quot;,&quot;custom_onclick&quot;:&quot;&quot;,&quot;custom_onclick_code&quot;:&quot;&quot;,&quot;add_icon&quot;:&quot;&quot;,&quot;i_align&quot;:&quot;left&quot;,&quot;i_type&quot;:&quot;fontawesome&quot;,&quot;i_icon_fontawesome&quot;:&quot;fas fa-adjust&quot;,&quot;i_icon_openiconic&quot;:&quot;vc-oi vc-oi-dial&quot;,&quot;i_icon_typicons&quot;:&quot;typcn typcn-adjust-brightness&quot;,&quot;i_icon_entypo&quot;:&quot;entypo-icon entypo-icon-note&quot;,&quot;i_icon_linecons&quot;:&quot;vc_li vc_li-heart&quot;,&quot;i_icon_pixelicons&quot;:&quot;vc_pixel_icon vc_pixel_icon-alert&quot;,&quot;el_id&quot;:&quot;&quot;,&quot;color&quot;:&quot;blue&quot;},&quot;tag&quot;:&quot;vc_basic_grid&quot;}\" data-vc-request=\"https:\/\/www.sciencefictionfestival.org\/wp-admin\/admin-ajax.php\" data-vc-post-id=\"29995\" data-vc-public-nonce=\"9bbfc9e708\">\n\t\t\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_row-full-width vc_clearfix\"><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<h5>Fasuto Sukuwaddo, Yoshiharu Ashino, Aljosha Klimov, Misha Shprits <br \/>\nJapan, Russia, Canada 2009, 73&#8242; <br \/>\n&#8211; <br \/>\n2009 Neon<\/h5>\n<p> <a class=\"g1-link g1-link-more\" href=\"https:\/\/www.sciencefictionfestival.org\/en\/film\/first-squad-the-moment-of-truth-yoshiharu-ashino-aljosha-klimov-misha-shprits\/\">More<\/a><\/p>","protected":false},"author":1,"featured_media":29997,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[],"tags":[],"neon":[254],"class_list":["post-29995","film","type-film","status-publish","format-standard","has-post-thumbnail","neon-neon-2009"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/29995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/types\/film"}],"author":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":3,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/29995\/revisions"}],"predecessor-version":[{"id":49298,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/29995\/revisions\/49298"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media\/29997"}],"wp:attachment":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media?parent=29995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/categories?post=29995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/tags?post=29995"},{"taxonomy":"neon","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/neon?post=29995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}