{"id":27139,"date":"2021-08-04T13:56:01","date_gmt":"2021-08-04T11:56:01","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/?post_type=film&p=27139"},"modified":"2024-03-27T11:13:04","modified_gmt":"2024-03-27T10:13:04","slug":"phil-tippett-mad-dreams-and-monsters-alexandre-poncet-gilles-penso","status":"publish","type":"film","link":"https:\/\/www.sciencefictionfestival.org\/en\/film\/phil-tippett-mad-dreams-and-monsters-alexandre-poncet-gilles-penso\/","title":{"rendered":"Phil Tippett: Mad Dreams and Monsters"},"content":{"rendered":"
\n\t
\n\t\t
\n\t\t\t
Alexandre Poncet, Gilles Penso
\nFrance 2019, 85\u2019<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
<\/div><\/div><\/div>
\n\t
\n\t\t
\n\t\t\t
Anteprima italiana_Italian premiere
\n2019_Futurologia<\/a><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
<\/span><\/span><\/span><\/span>\n<\/div>
\n\t
\n\t\t
\n\t\t\t

Vincitore di due premi Oscar per Il ritorno dello Jedi e Jurassic Park, Phil Tippett \u00e8 un animatore a passo uno, regista e designer che, nella sua carriera, ha dato vita a creature indimenticabili, da Jabba the Hutt agli insetti giganti di Starship Troopers. Ma, dietro a questo curriculum hollywoodiano, c\u2019\u00e8 un artista instancabile, che passa gran parte dei suoi giorni a sperimentare nel suo laboratorio con tutto ci\u00f2 che trova. Grazie all\u2019esclusivo e illimitato accesso alla collezione e agli archivi della Tippett Studio, Mad Dreams and Monsters studia l\u2019eredit\u00e0 di Phil Tippett, dal suo lavoro con George Lucas, Steven Spielberg e Paul Verhoeven fino a film pi\u00f9 personali come Prehistoric Beast e Mad God.<\/p>\n

\n

Winner of two Academy Awards for The Return of the Jedi and Jurassic Park, Phil Tippett is a stop-motion animator, a director and a designer who has given life to unforgettable creatures throughout his career, from Jabba the Hutt to the giant bugs of Starship Troopers. But beyond this Hollywood resume lies a mad artist, who spends most of his days experimenting in his workshop with everything he can find. With exclusive and unlimited access to the collections and archives of Tippett Studio, Mad Dreams and Monsters studies the legacy of Phil Tippett, from his work with George Lucas, Steven Spielberg and Paul Verhoeven to more personal movies like Prehistoric Beast and Mad God.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

\n\t
\n\t\t
\n\t\t\t
Sceneggiatura_Screenplay
\nGilles Penso, Alexandre Poncet<\/strong>
\nMontaggio_Editing
\nGilles Penso<\/strong>
\nSuono_Sound
\nLionel Guendon<\/strong>
\nMusica_Music
\nAlexandre Poncet<\/strong>
\nEffetti speciali_Special Effects
\nBrett & Cie<\/strong>
\nInterpreti_Cast Phil
\nTippett, Joe Dante, Paul Verhoeven<\/strong>
\nProduttore_Producer
\nAlexandre Poncet<\/strong>
\nProduzione_Production
\nFrenetic Arts<\/strong>
\nDistribuzione internazionale_International Distribution
\nLe Pacte<\/strong><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
<\/span><\/span><\/span><\/span>\n<\/div>\n\t
\n\t\t
\n\t\t\t

2019 Festival Lineup<\/h3>\n\n\t\t<\/div>\n\t<\/div>\n
<\/span><\/span><\/span><\/span>\n<\/div>\n
\n\t
\n\t\t\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div>
<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"
Alexandre Poncet, Gilles Penso
\nFrance 2019, 85\u2019
\n–
\n2019 Futurologia<\/h5>\n

More<\/a><\/p>","protected":false},"author":1,"featured_media":27141,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[],"tags":[533],"neon":[194],"class_list":["post-27139","film","type-film","status-publish","format-standard","has-post-thumbnail","tag-tippett","neon-futurologia-2019"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/27139","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/types\/film"}],"author":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":3,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/27139\/revisions"}],"predecessor-version":[{"id":47412,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/27139\/revisions\/47412"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media\/27141"}],"wp:attachment":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media?parent=27139"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/categories?post=27139"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/tags?post=27139"},{"taxonomy":"neon","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/neon?post=27139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}