{"id":27026,"date":"2021-08-04T13:35:59","date_gmt":"2021-08-04T11:35:59","guid":{"rendered":"https:\/\/www.sciencefictionfestival.org\/?post_type=film&p=27026"},"modified":"2024-03-26T16:22:00","modified_gmt":"2024-03-26T15:22:00","slug":"boia-maschere-e-segreti-lhorror-italiano-degli-anni-sessanta-steve-della-casa","status":"publish","type":"film","link":"https:\/\/www.sciencefictionfestival.org\/en\/film\/boia-maschere-e-segreti-lhorror-italiano-degli-anni-sessanta-steve-della-casa\/","title":{"rendered":"Boia, maschere e segreti: l\u2019horror italiano degli anni Sessanta"},"content":{"rendered":"
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Hangmen, Masques and Secrets: The Italian Horror in the Sixties<\/strong>
\nSteve Della Casa
\nItaly 2019, 75\u2019<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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2019_Spazio Italia<\/a><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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Negli anni Sessanta, il cinema horror conosce una nuova stagione di grandi successi in tutto il mondo. Per la prima volta, anche in Italia si intraprende la produzione di piccoli film che hanno per\u00f2 un grande successo internazionale e che costituiscono una sorta di approccio italiano al genere. Con il contributo di alcuni maestri (Dario Argento, Pupi Avati) e di importanti critici francesi (Fr\u00e9d\u00e9ric Bonnaud, Jean Gili, Jean-Fran\u00e7ois Rauger, Bertrand Tavernier), si ripercorrono le particolarit\u00e0 e i punti di forza di un approccio molto originale all\u2019horror, nel quale estetica pop e contenuti trasgressivi hanno un ruolo molto importante che rende unica la produzione italiana del decennio.<\/p>\n

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In the Sixties, horror cinema experienced a new season of great successes all over the world. For the first time, even in Italy the production of small films is underway and they have a big success all over the world and that constitute a sort of Italian approach to the genre. With the contribution of some masters (Dario Argento, Pupi Avati) and important French film critics (Fr\u00e9d\u00e9ric Bonnaud, Jean Gili, Jean-Fran\u00e7ois Rauger, Bertrand Tavernier), we retrace the peculiarities and strengths of a very original approach to horror, in which pop aesthetics and transgressive contents play a very important role that makes the Italian production of the decade unique.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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Sceneggiatura_Screenplay
\nSteve Della Casa<\/strong>
\nFotografia_Cinematography
\nGiulio Bottini<\/strong>
\nMontaggio_Editing
\nGraziano Falzone<\/strong>
\nSuono_Sound
\nCarlo Fanfoni<\/strong>
\nEffetti visivi_Visual Effects
\nFausto Vitali<\/strong>
\nProduttore_Producer
\nPierfrancesco Fiorenza<\/strong>
\nProduzione_Production
\nProduzione Straordinaria<\/strong>
\nDistribuzione italiana_Italian Distribution
\nCompass Film<\/strong><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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2019 Festival Lineup<\/h3>\n\n\t\t<\/div>\n\t<\/div>\n
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<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"
Steve Della Casa
\nItaly 2019, 75\u2019\u00a0
\n–
\n2019 Spazio Italia<\/h5>\n

More<\/a><\/p>","protected":false},"author":1,"featured_media":27029,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[],"tags":[],"neon":[191],"class_list":["post-27026","film","type-film","status-publish","format-standard","has-post-thumbnail","neon-spazio-italia-2019"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/27026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/types\/film"}],"author":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":4,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/27026\/revisions"}],"predecessor-version":[{"id":47341,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/film\/27026\/revisions\/47341"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media\/27029"}],"wp:attachment":[{"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/media?parent=27026"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/categories?post=27026"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/tags?post=27026"},{"taxonomy":"neon","embeddable":true,"href":"https:\/\/www.sciencefictionfestival.org\/en\/wp-json\/wp\/v2\/neon?post=27026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}